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Deadline for Course Change for Fall 2016 term

20Sep2016

Course Change (add/drop) deadline for Fall term and first part of multi-term courses starting in September 2016.  (No withdrawals from Music Ensembles and practical instruction after this date.)

Application Deadline: SQRM Conférences

15Jan2017

La SQRM invite les étudiants et stagiaires postdoctoraux en musique à participer au concours de conférences de la série « Présences de la musique ». Ce concours vise à promouvoir la relève en recherche musicale au Québec, en donnant l’occasion à u

Application Deadline: SQRM Notes de programmes

15Nov2016

Notes de programme: En partenariat avec la Fondation Arte Musica (FAM), ce concours donne l’occasion à un(e) étudiant(e) en musique de publier un texte musicologique original dans le contexte du concert Carte blanche à Valérie Milot, présenté à la

Bachelor's Recital: William Broverman, trombone

11Sep201616:30
Redpath Hall 3461 rue McTavish (McTavish Gates), Montreal, QC, H3A 2K6, CA

Class of P. Beaudry

Bachelor's Recital: Christopher Paul, trombone

11Sep201620:00
Elizabeth Wirth Music Building Tanna Schulich Hall, 527 Sherbrooke St. West, Montreal, QC, CA

Class of J. Box

Woodwind Chamber Music Concert

7Sep201619:30
Elizabeth Wirth Music Building Tanna Schulich Hall, 527 Sherbrooke St. West, Montreal, QC, CA

J. Leclair, coordinator

Improvisation Workshop with Michael Rabinowitz for double reeds

11Nov201619:00
Elizabeth Wirth Music Building Tanna Schulich Hall, 527 Sherbrooke St. West, Montreal, QC, CA

Piano Class Concert

21Nov201620:00
Strathcona Music Building Clara Lichtenstein Hall, 555 rue Sherbrooke Ouest, Montreal, QC, H3A 1E3, CA

Class of M. Karlicek

Master's Recital : David Koch, trumpet

21Oct201620:00
Elizabeth Wirth Music Building Tanna Schulich Hall, 527 Sherbrooke St. West, Montreal, QC, CA

Class of P. Merkelo

For Edward Klorman, Theory is theory is steeped in playing, performing, and history

(Blog article by Laurie Niles)

August 8, 2016, 12:47 PM · Where was Edward Klorman when I was drowning in frustration during music theory class?

I've always come to music as a violinist -- a one-line player in an orchestra or ensemble. Reading was just a means of getting the music into my head and into my fingers, and though I felt like I had a deep understanding of harmony, it was completely instinctual and experiential.

Published: 6Sep2016

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