Master of Music (M.Mus.) Performance: Organ and Church Music (Thesis) (45 credits)

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Offered by: Music     Degree: Master of Music

Program Requirements

Applicants to the Performance program are expected to have a background in Music Theory equivalent to the B.Mus. in Performance. Applicants found to be deficient in their background preparation may be required to take certain additional music theory undergraduate courses.

The following program prerequisites may be assigned as additional required courses based on transcript review:

  • MUPD 560 Introduction to Research Methods in Music (1 credit)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music Professional Development : Introduction to music research, including print and online tools for finding printed and recorded music and research on music; appropriate citation of sources; writing grant proposals, program/liner notes, and reviews.

    Terms: Fall 2017

    Instructors: Mylène Gioffredo, Robert Morrison, Benjamin Duinker (Fall)

    • Prerequisites: MUHL 286 and one 300-level MUHL or MUPP course

    • Restriction: Not open to students who have taken MUHL 570

  • MUPG 272D1 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : An historically-oriented study of the principles of figured-bass. The student will realize at sight elementary bass patterns. Standard idioms from historical treatises will be introduced.

    Terms: Fall 2017

    Instructors: Rona Miriam Nadler (Fall)

    • 2 hours

    • Prerequisites: MUTH 150 and permission of instructor.

    • Students must register for both MUPG 272D1 and MUPG 272D2.

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • Enrolment limited to 6.

  • MUPG 272D2 Continuo (2 credits)

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : See MUPG 272D1 for course description.

    Terms: Winter 2018

    Instructors: Rona Miriam Nadler (Winter)

    • Prerequisite: MUPG 272D1

    • No credit will be given for this course unless both MUPG 272D1 and MUPG 272D2 are successfully completed in consecutive terms

    • 2 hours

    • Enrolment limited to 6.

Thesis Performance (27 credits)

18 credits:

  • MUIN 620 Performance Tutorial 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual instrumental, vocal, conducting, collaborative piano or operatic tutorial. Technical and interpretive development, preparation of thesis performance projects.

    Terms: Fall 2017, Winter 2018

    Instructors: Marina Mdivani, Claire Guimond, Sylvain Bergeron, Kyoko Hashimoto, Ilya Poletaev, Carolyn Christie, Stephane Levesque, John Zirbel, Andre J Roy, Ali Yazdanfar, Stephen Algie, Joanne Kolomyjec, Maria Popescu, Pierre Beaudry, Erik Eriksson, Rudolf-Alexius Hauser, Simon Aldrich, Matt Haimovitz, Paul A Merkelo, Michael McMahon, Aline Kutan, Mark Fewer, Jennifer Swartz, Jacqueline Leclair, Elizabeth Dolin, Theodore Baskin, James Box, Timothy Hutchins, Eric Chappell, Yegor Dyachkov, Brian Robinson, Peter Freeman, Axel Strauss, Brian Manker, Helene Plouffe, Susan Napper, Lena Weman Eriksson, Tom Beghin, Alain Cazes, Hank Knox, Patrice Richer, Alexander David Johnson, Stéphane Lemelin, Dominique Labelle, Russell Devuyst, Sara Laimon, Marcelle Mallette, Jean-Francois Normand, Steven Arthur Dann, Richard Stoelzel, Jérôme Ducharme, Andrew Wan, Todd Cope, Jean-Sébastien Vallée, Alain Desgagne, Alexander Read, Mark Austin Howle, Denise Lupien, Tracy Smith, John Mac Master, Jocelyne Roy, Nadia Cote, Olivier Brault, Nathaniel Watson, Julia Gavrilova, Violaine Melancon (Fall) Pierre Beaudry, Marina Mdivani, Carolyn Christie, Marie- Leclair, Kyoko Hashimoto, Sylvain Bergeron (Winter)

  • MUIN 621 Performance Tutorial 2 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Additional individual instrumental, vocal, conducting, collaborative piano or operatic tutorial according to area of performing specialization.

    Terms: Fall 2017, Winter 2018

    Instructors: Kyoko Hashimoto, Eric Chappell, Andre J Roy, Axel Strauss, Aline Kutan, Joanne Kolomyjec, Stephane Levesque (Fall) Marina Mdivani, Claire Guimond, Sylvain Bergeron, Kyoko Hashimoto, Ilya Poletaev, Carolyn Christie, Stephane Levesque, John Zirbel, Andre J Roy, Ali Yazdanfar, Stephen Algie, Joanne Kolomyjec, Maria Popescu, Pierre Beaudry, Erik Eriksson, Rudolf-Alexius Hauser, Simon Aldrich, Matt Haimovitz, Paul A Merkelo, Michael McMahon, Aline Kutan, Mark Fewer, Jennifer Swartz, Jacqueline Leclair, Elizabeth Dolin, Theodore Baskin, James Box, Timothy Hutchins, Eric Chappell, Yegor Dyachkov, Brian Robinson, Peter Freeman, Axel Strauss, Brian Manker, Helene Plouffe, Susan Napper, Lena Weman Eriksson, Alain Cazes, Hank Knox, Patrice Richer, Alexander David Johnson, Stéphane Lemelin, Dominique Labelle, Russell Devuyst, Marcelle Mallette, Felicia Moye, Tom Beghin, Jean-Francois Normand, Steven Arthur Dann, Sara Laimon, Richard Stoelzel, Jérôme Ducharme, Andrew Wan, Valerie Kinslow, Todd Cope, Jean-Sébastien Vallée, Alain Desgagne, Alexander Read, Mark Austin Howle, Denise Lupien, Tracy Smith, John Mac Master, Jocelyne Roy, Nadia Cote, Olivier Brault, Nathaniel Watson, Violaine Melancon, Julia Gavrilova, Victor Fournelle-Blain, Frédéric Lambert (Winter)

  • MUIN 622 Performance Tutorial 3 (3 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2017, Winter 2018

    Instructors: James Box, John Zirbel, Claire Guimond, Sylvain Bergeron, Helene Plouffe, Erik Eriksson, Kyoko Hashimoto, Marina Mdivani, Ilya Poletaev, Maria Popescu, Joanne Kolomyjec, Stephen Algie, Stephane Levesque, Simon Aldrich, Carolyn Christie, Mark Fewer, Andre J Roy, Matt Haimovitz, Ali Yazdanfar, Paul A Merkelo, Abe Kestenberg, Timothy Hutchins, Jacqueline Leclair, Brian Robinson, Theodore Baskin, Remi Bolduc, Aline Kutan, Yegor Dyachkov, Jennifer Swartz, Hank Knox, Susan Napper, Tom Beghin, Brian Manker, Axel Strauss, Peter Freeman, Dominique Labelle, Rudolf-Alexius Hauser, Alain Cazes, Elizabeth Dolin, Alexander David Johnson, Patrice Richer, Stéphane Lemelin, Michael McMahon, Winston Purdy, Jean-Francois Normand, Steven Arthur Dann, Russell Devuyst, Jérôme Ducharme, Marcelle Mallette, Richard Stoelzel, Jean-Sébastien Vallée, Alexander Read, Todd Cope, Andrew Wan, Violaine Melancon, Olivier Brault, John Mac Master, Fabrice Marandola (Fall) Kyoko Hashimoto, Ilya Poletaev, Rudolf-Alexius Hauser, Andre J Roy, Marina Mdivani, Paul A Merkelo, Remi Bolduc, Eric Chappell, Axel Strauss, Aline Kutan, Joanne Kolomyjec, Hank Knox, Carolyn Christie, Tom Beghin, John Zirbel, Richard Stoelzel, Stephane Levesque, Alexander David Johnson, Dominique Labelle, Stephen Algie, John Mac Master, Todd Cope, Jacqueline Leclair, Jean-Sébastien Vallée, Fabrice Marandola, Andrew Wan, Maria Popescu, Elizabeth Dolin, Brian Manker, Erik Eriksson (Winter)

  • MUIN 622D1 Performance Tutorial 3 (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Fall 2017

    Instructors: Ilya Poletaev, Alexander David Johnson, John Zirbel, Joanne Kolomyjec, Dominique Labelle, Stephen Algie, John Mac Master, Todd Cope, Jacqueline Leclair, Stephane Levesque, Jean-Sébastien Vallée, Fabrice Marandola, Andrew Wan, Maria Popescu, Elizabeth Dolin, Brian Manker, Erik Eriksson, Kyoko Hashimoto (Fall)

  • MUIN 622D2 Performance Tutorial 3 (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Practical Instrument : Individual tutorial according to area of performing specialization. Interpretative preparation of thesis performance projects and development of individual artistic vision.

    Terms: Winter 2018

    Instructors: Ilya Poletaev, Alexander David Johnson, John Zirbel, Joanne Kolomyjec, Dominique Labelle, Stephen Algie, John Mac Master, Todd Cope, Jacqueline Leclair, Stephane Levesque, Jean-Sébastien Vallée, Fabrice Marandola, Andrew Wan, Maria Popescu, Elizabeth Dolin, Brian Manker, Erik Eriksson, Kyoko Hashimoto (Winter)

  • MUPG 600 Recital Project 1 (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal Opera Role (by audition) with program notes.

    Terms: Fall 2017, Winter 2018, Summer 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or Principal Opera Role as defined by the American Guild of Musical Artists' website (http://musicalartists.org), Lead, Schedule C

* Students can take MUIN 622 or MUIN 622D1 and MUIN 622D2.

9 credits from:

  • MUPG 601 Recital Project 2 (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Solo recital, collaborative piano recital, conducting recital or principal opera role (by audition) with program notes. May include chamber music providing none of the repertoire was prepared in a chamber ensemble taken for credit.

    Terms: Fall 2017, Winter 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Solo recital (60-70 minutes), collaborative piano recital (60-70 minutes), conducting recital (30-40 minutes) or principal opera role (by audition) as defined by the American Guild of Musical Artists' website (http://musicalartists.org), Lead, Schedule C

  • MUPG 602 Recital Project 3 (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recital, conducting recital or featured opera role (by audition) with program notes.

    Terms: Fall 2017, Winter 2018, Summer 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Recital (30-40 minutes), conducting recital (20-30 minutes) or featured opera role (by audition) as defined by the American Guild of Musical Artists' website (http://musicalartists.org), Featured, Schedule C

  • MUPG 603 Recital Project 4 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Concerto performance with orchestra (for the concerto competition or other competition in Montreal) or supporting opera role (by audition) with program notes.

    Terms: Fall 2017, Winter 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Supporting Opera Role as defined by the American Musical Artists' website (http://musicalartists.org), Supporting, Schedule C

  • MUPG 605 Recording Project (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Recording project with liner notes.

    Terms: Fall 2017, Winter 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Limited enrolment; admissions by proposal only and with approval of the Department; additional fees apply.

  • MUPG 606 Interdisciplinary Project 1 (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission; performer and actor/dancer collaboration, subject in CIRMMT research study, etc) with program notes as relevant.

    Terms: Fall 2017, Winter 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Performer-composer composition of 5-10 minutes. By proposal only and with approval of the Department.

  • MUPG 607 Interdisciplinary Project 2 (6 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Research-creation involving collaboration between different disciplines resulting in a new work, interpretation or contribution to knowledge presented in public (i.e., performer-composer commission); performance and actor/dancer collaboration, participant as co-researcher in CIRMMT study including participation in analysis of data, etc.) with program notes as relevant.

    Terms: Fall 2017, Winter 2018

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Performer-composer commission of 10-20 minutes. By proposal only and approval of the Department.

  • MUPG 676 Special Project in Church Music (9 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Individualized project involving performance in church setting to include both organ performance and choral direction.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

Required Course

  • MUGS 605 Graduate Performance Colloquium

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Graduate Faculty Music Courses : Participation in three professional development workshops or research colloquium approved by the department on topics such as performance pedagogy, academic teaching, music production, copyright, business, grantsmanship, etc. Students participate in each semester of residency until requirements have been met.

    Terms: Fall 2017

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

Complementary Seminars (9 credits)

3 credits from the following:

One approved graduate 3-credit seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, or MUTH.

3 credits from the following:

  • MUHL 591D1 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

  • MUHL 591D2 Paleography (1.5 credits)

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUHL 591D1

    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

  • MUTH 602 Keyboard Modal Counterpoint (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUTH 202 or equivalent

    • Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

  • MUTH 604 Keyboard Tonal Counterpoint (3 credits)

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUTH 204 or equivalent

    • Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

or one graduate 3-credit seminar approved by the Department.

Complementary Performance (9 credits)

9 credits from the following:

  • MUEN 560 Chamber Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for chamber music - various instruments.

    Terms: Fall 2017, Winter 2018

    Instructors: Brian Robinson, Ali Yazdanfar, Jean Gaudreault, Mark Fewer, Jacqueline Leclair, Stephane Levesque, Simon Aldrich, Axel Strauss, Guillaume Bourgogne, Theodore Baskin, Marie- Leclair, Jocelyne Roy, Martin D Mangrum, Stéphane Lemelin, Kyoko Hashimoto, Jean Marchand, Denise Lupien, Elizabeth Dolin, Jennifer Swartz, Cindy Shuter, Russell Devuyst, Richard Stoelzel, James Box, Chloe Dominguez, Marina Thibeault, Alicia Choi (Fall) Douglas McNabney, Brian Robinson, Ali Yazdanfar, Elizabeth Dolin, Kyoko Hashimoto, Mark Fewer, Alicia Choi, Brian Manker, Violaine Melancon, Jean Gaudreault, Jennifer Swartz, Marie- Leclair, Theodore Baskin, Jacqueline Leclair, Stephane Levesque, Jocelyne Roy, Chloe Dominguez, Elizabeth Skinner, Richard Stoelzel, James Box, Russell Devuyst (Winter)

    • Prerequisite(s): Audition.

    • Restriction(s): For Music students; open to others by permission of the Department.

  • MUEN 561 2nd Chamber Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Chamber music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2017, Winter 2018

    Instructors: Mark Fewer, Jean Marchand, Guillaume Bourgogne, Richard Stoelzel, Matt Haimovitz, James Box, Jean Gaudreault, Brian Robinson (Fall) Douglas McNabney, James Box, Laura Andriani, Russell Devuyst, Ali Yazdanfar (Winter)

    • 1 hour

    • Prerequisite: Audition.

  • MUEN 569 Tabla Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Performance and practice of the tabla of North India.

    Terms: Fall 2017, Winter 2018

    Instructors: Shawn Eliot Mativetsky (Fall) Shawn Eliot Mativetsky (Winter)

    • Can be taken more than once.

  • MUEN 573 Baroque Orchestra (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Open to singers and instrumentalists, this ensemble specializes in chamber music primarily of the Baroque era.

    Terms: Fall 2017, Winter 2018

    Instructors: Hank Knox (Fall) Hank Knox (Winter)

    • 4 hours

    • Prerequisites: Audition AND MUEN 480 AND a prerequisite or corequisite of MUPP 381. Additional prerequisite for keyboard players: MUPG 372 with a grade of A-.

  • MUEN 580 Early Music Ensemble (1 credit) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : An ensemble of 4-6 vocalists and instrumentalists which performs music of the Medieval, Renaissance and Baroque periods.

    Terms: Fall 2017, Winter 2018

    Instructors: Alexis Basque, Elizabeth H MacMillan, Sylvain Bergeron, Esteban La Rotta, Lena Weman Eriksson, Matthew Dixon Jennejohn, Tracy Smith, Laura Andriani (Fall) Elizabeth H MacMillan, Sylvain Bergeron, Laura Andriani, Alexis Basque, Matthew Dixon Jennejohn, Esteban La Rotta, Tracy Smith (Winter)

    • Prerequisite: Audition. Prerequisite or corequisite for keyboard players: MUPG 272.

  • MUEN 593 Choral Ensembles (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Students enrolling in Choral Ensembles will be assigned to one of the above groups.

    Terms: Fall 2017, Winter 2018

    Instructors: Jean-Sébastien Vallée, Floydd Ricketts, Gabrielle Gaudreault (Fall) Jean-Sébastien Vallée, Floydd Ricketts, Gabrielle Gaudreault (Winter)

    • 4 hours

    • Prerequisite: Audition.

    • Section 001 Chamber Singers: a group of approximately 24 mixed voices which explores the a cappella repertoire of all periods as well as works with chamber accompaniment.

    • Section 002 Concert Choir: an ensemble of approximately 60 voices (S.A.T.B.) which performs the repertoire from all periods appropriate to a group of this size.

    • Section 003 University Chorus: a mixed chorus of approximately 100 which performs a variety of choral material including both traditional and popular selections.

    • Section 004 Women's Chorale: an ensemble of approximately 40 women stressing the fundamentals of singing and ensemble participation.

  • MUEN 594 Contemporary Music Ensemble (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for contemporary music - instruments and voice.

    Terms: Fall 2017, Winter 2018

    Instructors: Guillaume Bourgogne (Fall) Guillaume Bourgogne (Winter)

    • 4 hours

    • Prerequisite: Audition.

  • MUEN 597 McGill Symphony Orchestra (2 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Ensemble : Ensemble for orchestral instruments.

    Terms: Fall 2017, Winter 2018

    Instructors: Rudolf-Alexius Hauser (Fall) Jean-Sébastien Vallée (Winter)

    • 6 - 7 hours

    • Prerequisite: Audition.

  • MUHL 591D1 Paleography (1.5 credits) **

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : The theory and practice of musical transcription for the period 1100 to 1600. Black modal notation, Franconian notation, French and Italian Ars Nova notation, Mannerism, white mensural notation, proportions, and lute and keyboard tablatures will be studied.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

  • MUHL 591D2 Paleography (1.5 credits) **

    Offered by: Music Research (Schulich School of Music)

    Overview

    Music History and Literature : See MUHL 591D1 for course description.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUHL 591D1

    • No credit will be given for this course unless both MUHL 591D1 and MUHL 591D2 are successfully completed in consecutive terms

  • MUPG 575D1 Liturgical Organ Playing (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • 1. 1 1/2 hours

    • 2. Students must register for both MUPG 575D1 and MUPG 575D2.

    • 3. No credit will be given for this course unless both MUPG 575D1 and MUPG 575D2 are successfully completed in consecutive terms.

  • MUPG 575D2 Liturgical Organ Playing (1.5 credits) *

    Offered by: Performance (Schulich School of Music)

    Overview

    Performance : This seminar focuses on the development of skill in the leadership and accompaniment of hymns, the accompaniment of sung psalmody (particularly Anglican and Gregorian), and the conducting of choral music while accompanying at the organ. Additionally, regular instruction in techniques of improvisation will focus in particular upon hymn introductions and free accompaniments.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

  • MUPG 674 Project in Choral Conducting (3 credits)

    Offered by: Performance (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Performance : Development of advanced choral conducting techniques and rehearsal skills through application in the field under supervision of master choral conductor or church musician.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisites: MUCT 315 and MUCT 235 or permission of the instructor

    • Restriction: Open only to students in the Organ and Church Music and Conducting programs

  • MUTH 602 Keyboard Modal Counterpoint (3 credits) **

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of the renaissance period through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUTH 202 or equivalent

    • Restrictions: Open to graduate keyboardists in early music and organ or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

  • MUTH 604 Keyboard Tonal Counterpoint (3 credits) **

    Offered by: Music Research (Schulich School of Music)

    Administered by: Graduate Studies

    Overview

    Music Theory and Analysis : Advanced study of polyphonic techniques of tonal music through written exercises, in-depth written case study, and improvised practice at the keyboard.

    Terms: This course is not scheduled for the 2017-2018 academic year.

    Instructors: There are no professors associated with this course for the 2017-2018 academic year.

    • Prerequisite: MUTH 204 or equivalent

    • Restrictions: Open to graduate keyboardists only or permission of the instructor. This course may count only as the additional seminar and not as the approved graduate seminar with the prefix MUCO, MUGS, MUGT, MUHL, MUMT, MUPP, MUTH.

* May be taken more than once.
** If not taken as a seminar.

Schulich School of Music—2017-2018 (last updated Aug. 23, 2017) (disclaimer)