Updated: Sun, 10/06/2024 - 10:30

From Saturday, Oct. 5 through Monday, Oct. 7, the Downtown and Macdonald Campuses will be open only to McGill students, employees and essential visitors. Many classes will be held online. Remote work required where possible. See Campus Public Safety website for details.

Du samedi 5 octobre au lundi 7 octobre, le campus du centre-ville et le campus Macdonald ne seront accessibles qu’aux étudiants et aux membres du personnel de l’Université McGill, ainsi qu’aux visiteurs essentiels. De nombreux cours auront lieu en ligne. Le personnel devra travailler à distance, si possible. Voir le site Web de la Direction de la protection et de la prévention pour plus de détails.

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Leanore Lieblein

Leanore Lieblein
Contact Information
Email address: 
leanore.lieblein [at] mcgill.ca
Address: 

McGill University
Department of English
853 Sherbrooke Street West
Arts Building
Montreal, QC H3A 0G5 CANADA

Group: 
Retired Faculty
Position: 
Professor (Retired)
Degree(s): 

B.A. (City College of New York); M.A., Ph.D. (Rochester), Associate Professor

Current research: 

Shakespeare in France and French Canada; The Shakespearean Body and the Concept of Character.

Selected publications: 

Edited Book:

A Certain William: Adapting Shakespeare in Francophone Canada.(2009).

Articles:

“Embodied Intersubjectivity and the Creation of Early Modern Character.” In Shakespeare and Character: Theory, History, Performance, and Theatrical Persons, ed. Paul Yachnin and Jessica Slights (2009).

“Pourquoi Shakespeare?” in Shakespeare: Made in Canada, ed. Daniel Fischlin and Judith Nasby (2007)

“Nuancing Diversity: The Boyokani Company Hamlet.” alt.theatre: Cultural Diversity and the Stage, 4.2-3 (May 2006): 22-24; 31.

“Corporeal Ecology and European Otherness on the Shakespearean Stage.” In Shakespeare et l’Europe de la Renaissance, ed. Pierre Kapitanik (2004).

“My breasts sear'd": The Self-Starved Female Body and A Woman Killed with Kindness.” (With Christopher Frey.) Early Theatre, 7.1 (2004): 45-66.

“Le Re-making of Le Grand Will” In “A World elsewhere?”: Canadian Shakespeare, ed. Diana Brydon and Irena Makaryk (2002).

“Interrogating the Shakespearean Body,” CTR 111 (Summer 2002): 15-21.

“Shakespeare in Francophone Quebec,” Internet Shakespeare Editions.

“Alfred Pellan, Twelfth Night, and the Modernist Shakespeare” (with Patrick Neilson), Shakespeare Yearbook 11 (2000): 389-422.

Editor, “Traversees de Shakespeare” (Dossier), L'Annuaire Theatral, 24 (automne 1998): 9-138.

“Theatre Archives at the Intersection of Production and Reception,” inTextual and Theatrical Shakespeare: Questions of Evidence (1996).

“`Les Grecs' à la francaise,” TRI 18.2 (1993): 123-37.

“East Berlin Theatre Diary,” JDTC 6 (Fall 1991): 106-23.

“Translation and Mise-en-Scène,” JDTC 5 (Fall 1990:81-94.

“The Politics of Renaissance Culture,” in L'Europe de la Renaissance(1989): 49-64.

“Flexible Iconography: The Experience of the Spectator of Medieval Religious Drama,” Le Moyen francais 19 (1988): 135-47.

“Jan Kott, Peter Brook, and King Lear,” JDTC 1.2 (1987): 39-49.

Co-translator of Les Esbahis (1561).

Director of Everyman, Calderon de la Barca's Life Is a Dream, Timberlake Wertenbaker's The Love of the Nightingale, the Towneley Pharaoh, and Slaying of Abel; co-director of George Peele's Old Wives Tale.

Taught previously at: 

City College of New York, University of Rochester.

Gender: 
Female
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