Connections Symposium 2020 Program

 

CONNECTIONS
October 16-17, 2020
AIRG’s 3rd International Symposium
(virtual edition)

 


Welcome to the 3rd International Artful Inquiry Symposium (virtual edition).
On behalf of the Artful Inquiry Research Group (AIRG) in the Faculty of Education at McGill University, it is with great pleasure that
we extend a warm welcome to the presenters and attendees of the third International Artful Inquiry Symposium. Over the two days
artists, researchers, educators, and practitioners will explore the connections, possibilities, and influences of the arts in educational
research. We will get a chance to experience the artful connections created by individuals and communities, both separately and
together. We hope you connect with one another and have a meaningful and enjoyable experience.

 


Sincerely,
The Symposium Co-Chairs
Mindy R. Carter, PhD
Sara Hashem, PhD
Hala Mreiwed, MPPPA, PhD Candidate


AIRG SYMPOSIUM 2020
The AIRG International Symposium is an interdisciplinary forum for sharing scholarship, practices, and research on artful inquiry and
methods in higher education. The 2020 virtual edition of the AIRG Symposium will include a select number of session that artfully
explore pressing issues of our times. Scholars, researchers, students, artists, and practitioners will showcase the role and impact of
arts-based practices in creating meaningful connections.
This year’s program is organized in a way that allows for 10min breaks between every session. We encourage you to step away
from the screen and take a physical and mental break. “Zoom fatigue” is a thing and you need to exercise self-care.
In keeping with AIRG’s sense of community, all names in this program are listed in alphabetical order (either by first or last name).

ORGANIZING COMMITTEE
Symposium Chairs: Mindy R. Carter, Sara Hashem, & Hala Mreiwed
Program: Lidoly Chávez Guerra (Program Co-Chair) & Sara Hashem (Program Chair)
Communication: Sara Hashem & Hala Mreiwed
Logistical support: Darshan Daryanani
A special thank you to DISE Faculty Committee members: Claudia Mitchell & Sheryl Smith-Gilman.
A big thank you to the volunteers, especially :
Nesa Bandarchian, Marta Cotrim, Jen Hinkkala, Mia Homsi, Lin Li, Jax Stendel, Natalie Tacuri, & Dan Wu.

 

PROGRAM OVERVIEW
Friday, October 16, 2020

 

9:00 – 9:10

 

 

9:10 – 10:10

 

10:20 – 11:00

 

11:10 – 11:50

WELCOME
Land Acknowledgement
Welcome Message
KEYNOTE PANEL
Connections in 2020 Presenters: Candace Amarante, PhD, Mindy R. Carter, PhD, Maria
Ezcurra, PhD, Ashwani
Kumar, PhD, Claudia Mitchell,
PhD
Moderator:
Sara Hashem, PhD

CONNECTION 1

Capitalist Accelerationism, Overuse Injuries, and Working from Home: An Embodied Inquiry. Adrian M. Downey, PhD

Eight weeks, eight verses: Using arts-based inquiry to explore educator subjectivity and reflexivity during a time of social change. Marguerite Müller, PhD & Frans Kruger, PhD

Deep listening to place, space and everything in between. Kathryn Ricketts, PhD & Celeste Snowber, PhD
Opening New Possibilities for Social Change through Creative Vignette Writing. Elizabeth Yomantas, PhD

More information

Capitalist Accelerationism, Overuse Injuries, and Working from Home: An Embodied Inquiry.
Adrian M. Downey, PhD (Mount Saint Vincent University)
Celeste Snowber’s 2016 book Embodied Inquiry asks us to dwell within our bodies and (re)considering our
relationships with our physical selves. In the context of the COVID-19 global pandemic, many teachers—
both in the public system and at post-secondary institutions—have been asked to work from home. In this
presentation, I draw on Embodied Inquiry to pose the question: how has working at home during the
pandemic affected our relationship with our bodies as artists, teachers, and researchers?
I briefly share my own experience of developing several overuse injuries through efforts to keep up with the
demands my work life in a new, less comfortable, environment. I then highlight this as an example of
capitalist accelerationism’s neglect of healthy, balanced, and holistic modalities of living. I also complicate
this reading by gesturing toward my own renewed awareness of the body through injury; although my
injuries prevent me from playing music, they have encouraged new ways of engaging with sound and the
world: listening more attentively, actively seeking out new (politically subversive) music, and generally
slowing down. I conclude by inviting others to reflect on the changes they have experienced in their bodies
as a result of the pandemic

Eight weeks, eight verses: Using arts-based inquiry to explore educator subjectivity and reflexivity during a time of social change.
Marguerite Müller, PhD (University of the Free State, South Africa) & Frans Kruger, PhD
(University of the Free State, South Africa)
In our presentation, we employ collective autoethnographic poetry to explore how art can ‘act’ as an agent
of social change within the context of reflexive pedagogy and practice. Our presentation was inspired by St
Pierre’s (2019) question “…why do we think we should know what to do before we begin to inquire?” (p. 4).
Using this as a starting point, our methodological exploration finds expression in poetry, fiction and drawing
as we explore affective experiences of teaching a social justice module at the University of the Free State,
South Africa. The presentation is composed of eight verses. Each verse is a reflexive engagement with our
experiences inside and outside the classroom during an academic semester and highlights the micro-social
moments of every day experience that plays out alongside our search for a form of inquiry that is
responsive to the world. In making use of art, poetry and fiction, we aim to communicate that which would
otherwise be impossible as we explore the intersections, complexity, messiness, and intertwined nature of
personal and professional experiences during a time of social change in the South African higher education
context.

 

Interactive artistic
presentation
Deep listening to place, space and everything in between.


Kathryn Ricketts, PhD (University of Regina) & Celeste Snowber, PhD (Simon Fraser University)
We have been collaborating through the form of embodied improvisations for over 10 years. We have been
both sharing the same space and working independently and then most recently working together but apart
connected by a theme. In all of these conditions and contexts we find a shared elemental value – deep
listening Listening to each other, the earth we stand and dance on and the ancestral imprints of our lives
lived together and apart. Through Embodied Inquiry we have navigated our practices together and apart
braiding values, sensibilities and curiosities with a fierce dedication from and through the heart. This
presentation will evidence samplings of this work and especially our latest COVID influenced project based
on our relationship with self-denying the imposed isolation through meaningful connections of call and
response. We will end with a virtually performed improvisation where we listen deeply across the miles that
span between us and through a screen that threatens to suppress the very lifeblood of our tenacious, fierce
and unstoppable practices!
Participants will just need a little space to move and perhaps paper and pen.

 

CONNECTION 2
« Arrêtons de tourner en rond » : une expérience de création collaborative propre au graphisme citoyen à l’école primaire. Valérie Yobé, PhD & Catherine Nadon, PhD

Artful inquiry entry points for adapting a comprehensive methodology that examines community leaders’ historical consciousness and its impact on their ability to foster positive social change. Paul Zanazanian, PhD

Confined Bodies a virtual exhibition during precarious times. Elsy Zavarce, PhD, María Verónica Machado Penso, PhD, Neydalid Molero, DEA, & Stefania Hernández, M.DES

More information

« Arrêtons de tourner en rond » : une expérience de création collaborative propre au graphisme citoyen à l’école primaire.
Valérie Yobé, PhD (L’Université du Québec en Outaouais) & Catherine Nadon, PhD (L’Université du Québec en Outaouais) Après le passage dévastateur de trois tornades dans la région de l’Outaouais le 21 septembre 2018, une équipe formée de chercheurs, de graphistes et d’enseignants du primaire a mis au point une série de 11 ateliers de graphisme citoyen visant à offrir une voix aux 22 élèves d’une classe de 5e année du primaire. « Arrêtons de tourner en rond » : le graphisme citoyen à l’école primaire est donc rapidement devenu un liant pour provoquer de véritables dialogues sur les aspects sociaux, politiques, scientifiques, environnementaux et artistiques autour de cet événement marquant pour la communauté élargie de Gatineau. Par l’image, le mot et l’action, les jeunes citoyens de la classe de 5e année se sont vu offrir une tribune pour oeuvrer en collaboration et pour s’exprimer librement. Sans hésitation, ils ont saisi leur rôle en tant qu’acteurs de l’innovation sociale, et ce, tout en prenant conscience de la force, des limites, des impacts que chacun peut avoir en communiquant ainsi. La proposition de communication se veut donc une étude sur le processus de collaboration qui s’est installé entre les chercheurs, les graphistes, les enseignants, les élèves et la communauté de Gatineau. Il sera aussi question de soulever les particularités de la création propre au graphisme citoyen alors qu’elle est adaptée à l’école primaire.

Artful inquiry entry points for adapting a comprehensive methodology that examines community leaders’ historical consciousness and its impact on their ability to foster positive social change.

Paul Zanazanian, PhD (McGill University) With my presentation, I seek to describe my theoretical work on historical consciousness and to solicit feedback from the English-language Arts Network Community. My aim is to gain insight for developing an artful inquiry basis to my work to transform its scope and chart new territories for capturing and analyzing aspects of social reality. In my paper, I specifically introduce a comprehensive methodology for examining community leaders’ historical consciousness and its impact on their positionality for addressing social problems of a historical nature. When seeking community development and vitality, community leaders can employ historical knowledge to provoke sentiments of commonality that mobilize groups to political action. To get at the workings of their postionality and how this affects the impact of their influence on the changemaking process, the comprehensive methodology examines the intersection and enactment of two key cultural tools – community leaders’ schematic narrative templates for history-as-interpretive-filter and its corresponding content-configurations-of-past-present-future. The extent to which individuals nuance their thinking and take critical distance from the claims they put forth consequently surface. As more than one stance emerges for each set of intersecting templates, the comprehensive methodology provides insight into how one same guiding thought that structures community leaders’ sense-making can be deployed in different ways with various consequences for each. Community leaders may thus think they approach social problems in a positive manner, but, given the way they construct and enact knowledge, their ideas may not follow through in the most productive way. This results in contrasting impacts on their approaches to making social change.

 

Confined Bodies a virtual exhibition during precarious times.

Elsy Zavarce, PhD (University of Zulia), María Verónica Machado Penso, PhD (Universidad de la Costa), Neydalid Molero, DEA (University of Zulia), & Stefania Hernández, M.DES (Concordia University) How an artistic dialogue can help build a sense of community? In the middle of the worldwide situation of compulsory confinement, at the end of March, myself, Machado, and Molero, proposed to the Museum of Contemporary Art of Zulia (MACZUL), to launch an open, plural and multidisciplinary call to participate in a virtual exhibition. We named it Confined Bodies, a curatorial project proposed by us, as artists, curators, and researchers.

 

12:00 – 13:00 13:00 – 13:30 13:30 – 14:30 14:40 – 15:10

CONNECTION 3
Bringing forth the creative possibilities of everyday objects in educational research for social change. Daisy Pillay, PhD, Theresa Chisanga, PhD, Anita Hiralaal, PhD, Lungile Masinga, PhD, Kathleen Pithouse-Morgan, PhD, & Inbanathan Naicker, DEd

Expanding arts horizons: four perspectives. Boyd White, PhD, Amélie Lemieux, PhD, Mitchell McLarnon, PhD Candidate, & Ashley Do Nascimento,

PhD student

More information

Bringing forth the creative possibilities of everyday objects in educational research for social change.
Daisy Pillay, PhD (University of KwaZulu-Natal), Theresa Chisanga, PhD (York University), Anita Hiralaal, PhD (University of KwaZulu-Natal), Lungile Masinga, PhD (University of KwaZulu-Natal), Kathleen Pithouse-Morgan, PhD (University of KwaZulu-Natal), & Inbanathan Naicker, DEd (University of KwaZulu-Natal) We research and teach in varied academic specialisations at three very diverse South African universities. Our shared interest in arts-based educational research, and more recently, the study of objects as an artful research practice draws us together. We also have a shared commitment to the disruption of the social and historical hierarchies and divides of our higher education institutions. Our heterogeneity as a research team in terms of gender, cultural heritage, language, and race is significant in the shadow of South Africa’s colonial and apartheid history, with its legacy of social fragmentation. In this presentation, we explore the creative possibilities of everyday objects in educational research for social change. Object studies as an artful practice for social change rest on an appreciation for the quotidian (local and the everyday) as sites for different ways of knowing. We demonstrate how we work with objects to compose textured, dynamic portrayals of lived educational experiences that are full of transformative possibilities. Our presentation shows how imaginative encounters with objects may evoke unconventional methodological approaches and interpretative possibilities that can facilitate inclusive and disruptive ways of coming to know ourselves and others and thus contribute to a broader agenda of social change.

Expanding arts horizons: four perspectives.
Boyd White, PhD (McGill University), Amélie Lemieux, PhD (Mount Saint Vincent University), Mitchell McLarnon, PhD Candidate (McGill University), & Ashley Do Nascimento, PhD student (University of Western Ontario) In this panel, four Canadian researchers address community engagement practices to promote environmental justice and sustainability through the lens of artful practices. Specifically, Ashley discusses her work with female youth from an urban community farm and their use of ‘zine’ making to understand complex entanglements with local toxic waters, centering female youth ecological engagement in the face of 21st century climate change. Mitchell’s research uses urban agriculture, beekeeping and the arts to address social and environmental (in)justice and he will present visual data that shows how Montreal’s environmental or “green” initiatives are hooked into economic processes of eco-gentrification. Boyd revisits a walking theme addressed in a recent paper co-written with Amélie, where they explored the intersectionalities between and among photography, art, poetry, through a walk in a local bird sanctuary. Our goal was to expand the horizons of educational practice through the arts in their capacity to prompt social change. Boyd introduces one image from that paper and discuss how it prompted exploration of the above intersections. Amélie corroborates the findings from this paper as a bridge to discuss posthuman photography in a recent research inquiry about “making” with teachers, where recycled materials and blueprints became making itself.

 

LUNCH BREAK  

CONNECTION 4
Inclusion as folded choreowriting. Maryam Bagheri Nesami, MA, Annika Notér Hooshidar, PlP, & Tone Pernille Østern, PhD

Transformed by our arts-based research: Actioning into bodily justice in teacher education. C. H. Gonzalez, PhD & Alexia Buono, PhD

More information

Inclusion as folded choreo-writing.
Maryam Bagheri Nesami, MA (University of Auckland), Annika Notér Hooshidar, PlP (University of the Arts, Stockholm), & Tone Pernille Østern, PhD (NTNU Norwegian University of Science and Technology) We are living in a time where we by different reasons are separated from one another, inscribed by different segregating spatializations (for example social, political, class, sexual, racial). The very recent and tangible one was COVID-19, which affected the modes of presence in our places, changing the ways we relate to one another. In this interactive session we focus on how we might alternatively relate to other (human and non-human) bodies in our surrounding places in a more sustainable way; a way which can resist exclusive and segregating power politics. Challenging ideas about choreography, bodies and politics of place, we hope to create a space for artful inquiry of new relations and realities, where we could transit in-between borders and boundaries, flowingly and freely. The session facilitators, coming from the field of choreographic research, see choreo-graphy as a political act of writing, inscribing and locating spatializations. Together with the participants, in the session we experiment with individual and collective practices of freedom as we are reaching an expanded corporeality as folded choreo. The location for inscribing the inclusive spatialization is the platform of padlet.com. We will share the collaborative, alternative and artistic language as an instant choreo-writing.

Transformed by our arts-based research: Actioning into bodily justice in teacher education.
C. H. Gonzalez, PhD (Austin Peay State University) & Alexia Buono, PhD (SUNY at Brockport) Since 2016, when we first began our ABR collaboration in teacher education using dance research methods, it forever transformed our lifestyles, teaching philosophies, and pedagogies. We are now intentionally and strategically bringing forth bodily restorative justice in our learning environments. During this pandemic crisis in higher education, Chaz has been able to develop a critical awareness of how Body (“my” body, the student body), is neglected and objectified. Alexia has realized how pedagogies of bodily restorative justice can allow her students to feel seen and cared, while at the same time encouraging them to feel the discomfort needed to dismantle oppressive systems inherent in education. We are now developing teachers who center their own and their students' bodily identities, needs, and experiences. We will begin our session by sharing our stories, experiences, and examples of transformational change from our ABR and teacher education work. We will discuss how we engage with somatic justice to dismantle white supremacy. By actioning into bodily justice work for BIPOC, we “[fight] the heritage of dualism” (Pederson & Orset, 2019). Participants will join in somatic practices (i.e., sensing into one's inner embodied experiences), and connect these practices with social change in learning environments through discussion.

 

CONNECTION 5
Urban Frontiers: Youth Reimagining Cities for a Post- Pandemic World. Linda Handiak and Vanguard High School Students

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Urban Frontiers: Youth Re-imagining Cities for a Post-Pandemic World.
Linda Handiak and a Group of High School Students (Vanguard School) Like a laser, COVID 19 ripped through the shiny fabric of cities to reveal their vulnerable underbellies. Societies that congratulated themselves on being “developed” and safe were exposed and found wanting. Issues with elder care, public spaces, housing units and distribution of resources surfaced. If pandemics continue to stalk us in waves, then cities will be on the front lines of the battle. According to a 2018 UN report, 2.5 billion people could be added to global urban areas by 2050, and large portions of the urban population will be concentrated in megacities. Urban spaces need to be reorganized or they will become breeding grounds for physical and social ills. It is particularly disconcerting for graduates to face constraints at a time when they would normally be on the threshold of wider vistas. Vanguard School’s senior leadership team would like to share their researchbased visions for healthy cities, as imagined through their Contemporary World class projects. The presentation format includes 3D models, explained by their “architects” and an interactive component for the audience to propose a wish list for urban design and see how that could be implemented. It would be helpful for participants to have access to jamboard.

 

15:20 – 16:00 16:10 – 16:50 17:00 – 17:30

CONNECTION 6
Ethical Implications of Collaboration. Stacey Cann, PhD Student

Educating Diversely: The Artist Talk Platform. Arianna Garcia-Fialdini, PhD Candidate

Knowledge Co-Creation from Quebec to Spain, By Way of Arts-Based Research. Jennifer Wicks, PhD Candidate

More information

Ethical Implications of Collaboration.
Stacey Cann, PhD Student (Concordia University) As we as a society take on acknowledging and dismantling systematic hierarchy, oppression, and privilege we do not often consider how these neoliberal structures affect interpersonal relationships in collaboration. Charles Green (2001) looks at collaboration during the time of conceptualism as an alternative to the capitalist ideal of the lone genius, or single author, and as an ideological rejection of capitalism. Currently, collaboration is often used by the capitalist system to expand its reach and leverage social and economic capital. If we consider collaboration as a mode of capitalism we consider the ethical implications of all collaborative parties and how privilege affects the dynamics of the work. I propose that there are four major categories which must be considered to create an equitable collaboration. While it is unnecessary and unrealistic to think that all of the categories will be truly equal, it is important to consider whether and how each party is benefited by the collaboration. I will explore how the artistic, career, educational, and social dynamics of collaboration impact the equity of the relationship, and whether these factors impact whether a collaboration should take place.

Educating Diversely: The Artist Talk Platform.
Arianna Garcia-Fialdini, PhD Candidate (Concordia University) This presentation will present ways of incorporating social problematics like mass displacement and pressing international immigration policies into diverse art classrooms and unconventional pedagogical platforms (in this case, through artist talks). This presentation will focus on an artist talk given in collaboration with a specific non-profit organization of newly arrived immigrants and refugees. Throughout the presentation, how the artist-talk platform reaches communities outside the traditional classroom will be explored as well as how it creates space for an exchange of ideas from diverse participants. Additionally, a discussion of personal observations will follow on potential pedagogical exchanges based on experiences from the event, concluding with the exploration of the relevance and potential development in personal artistic and teaching practices for and with this specific community.

 

Knowledge Co-Creation from Quebec to Spain, By Way of Arts-Based Research.


The proposed presentation explores the process of the co-creation of knowledge through collaborative arts-based research practices. The three exemplars of research presented take us from Quebec to Spain, by way of a multisensory art installation to express the experience of co-creation; a messy, challenging, and involved process, which requires our attention on relationships in inquiry, rather than focusing on outcomes, and in turn becomes a means to question Western priorities, knowledge, and ways of being. This process of disrupting and reframing power dynamics generates liveliness, reciprocity and new understandings. Collaborative and shared imaginations emerge through dialogue that digs deeper than surface-level conversations about research experiences. Comprehension of how researchers co-create collective identities and understandings promotes new methods of transformation towards collective visions, moving us away from the commodification of knowledge in the academy. I explore embodied concepts - diverging from subjective engagements with research and collaborators to a dialogic engagement with imagined phenomena. This process is an excellent reminder of the true nature of teaching, where the sharing of one’s life and understandings becomes listening, seeing and feeling the impact of the experiences and lives of others, producing – together – insights that we alone could not hope to achieve.

 

CONNECTION 7
Educational potential of art in in introducing children to endangered animals. Leila Refahi, MA Artful Minds. Mariam Ugarte, MA & Joanne Murdoch, BA A

Decade of Pagan Pedagogies - Reclaiming Witchcraft, a Community of Leaders. Iowyth (ne Cassandra) Witteman, MA Student

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Educational potential of art in in introducing children to endangered animals.
Leila Refahi, MA (Concordia University) Today, children spend most of their time indoors due to the modern technologically-advanced lifestyle. Separation from nature has an adverse effect on children's perceptions of nature and animals. At this challenging time, when we are facing environmental disasters more than ever before, this disconnection of nature has brought some difficulties for teachers to encourage children to the environment. Hence, creative and effective approaches by applying art are more and more involved in environmental education. The experience of artistic activity creates a proper context to further impact ecological education by involving the sense of aesthetics, visualization, imagination, emotions, and creativity. This presentation is based on my qualitative research named "The role of art workshops in introducing children to endangered animals", and one of my participatory art projects named "Birds Farm". I will discuss the impact of applying art education in environmental teachings on developing positive attitudes, greater awareness, and increasing knowledge and understanding of endangered animals among children. It will be a recorded presentation, using photos and videos of my art project.

Artful Minds.
Mariam Ugarte, MA (Concordia University) & Joanne Murdoch, BA (Concordia University) The aim of this workshop is to demonstrate how teaching through the arts activates areas of the brain responsible for the development of emotional intelligence: self-awareness, self-regulation, motivation, empathy and social skills (Rieger and Chernomas, 2013). We will share recent studies that focus on the connection between Art Based Learning and the development of the brain. The first activity will demonstrate the potential power of visual and literary arts on the development of empathy; presentation of a pre-recorded reading of an illustrated storybook. We will present some art history background information on the symbolism movement. Each participant will be invited to draw a symbol that represents an aspect of the story that they connect with. Participants will be invited to include their image and explain its meaning. Questions will be available to be answered by the participants, such as: What symbols came to mind? What helped you connect to the story? How did you feel through the process? How were you affected by others interpretation of the story? We will conclude by showing how this method is presently used in the teaching community to help nursing students become better nurses and, ask participants to share different possibilities of how they can use art in building and enhancing community engagement.

 

A Decade of Pagan Pedagogies - Reclaiming Witchcraft, a Community of Leaders.


Iowyth (ne Cassandra) Witteman, MA Student (Lakehead University) In this presentation, I will be discussing the insights gleaned from over a decade working in informal, nonhierarchical, outsider learning spaces in the Reclaiming tradition of witchcraft. Pagan pedagogies have a deep tradition of oral story-telling and resource sharing and Reclaiming specifically embeds within it learning from both feminist spirituality and direct action. Taking part in a Reclaiming community means experiencing a workable and working framework for power-sharing as well as the establishment of collective leadership processes, creating space for emotion and spirituality in learning, engaging in heartbased forms of activism, and eco-pedagogical practices embedded within the organizational structure itself. Grounded in a philosophy of spiritual immanence and around the use of the circle, the tradition of Reclaiming pedagogies create space for transpersonal change, encouraging a balance between personal and social healing. I will cover the practice of Witchcamp as well as teacher-training and community facilitation in the hopes of inspiring collective feeling for the pursuit of social and ecological justice.

 

BOOK LAUNCH
“Art as an Agent for Social Change” The peer-reviewed chapters in this book, presented as snapshots, focus on exploring the power of drama, dance, visual arts, media, music, poetry and film as educative, artistic, imaginative, embodied and relational art forms that are agents of personal and societal change. A range of methods and ontological views are used by the authors in this unique contribution to scholarship, illustrating the comprehensive methodologies and theories that ground arts-based research in Canada, the US, Norway, India, Hong Kong and South Africa. Weaving together a series of chapters (snapshots) under the themes of community building, collaboration and teaching and pedagogy, this book offers examples of how Art as an Agent for Social Change is of particular relevance for many different and often overlapping groups including community artists, Kuniversity instructors, teachers, students, and arts-based educational researchers interested in using the arts to explore social justice in educative way(s). This book provokes us to think critically and creatively about what really matters!

 

 


Saturday, October 17, 2020

9:00 – 9:30 9:40 – 10:10 10:20 – 11:20 11:30 – 12:10

CONNECTION 8
A Curatorial Embodiment of Place through the Creation of Film during Covid-19. Natalie LeBlanc, PhD & Adrienne Boulton, PhD

Teaching French through Drama in a Minority Language School: A Participatory-Action Research Project in Saskatchewan. Sara Schroeter, PhD & Joël Thibeault, PhD

More information

A Curatorial Embodiment of Place through the Creation of Film during Covid-19.
Natalie LeBlanc, PhD (University of Victoria) & Adrienne Boulton, PhD (Kwantlen Polytechnic University) In response to one of the conference themes, Reflecting on COVID-19 and its consequences during and after the pandemic, presenters discuss ongoing research that explores students’ engagement with art practice as an ethical, curatorial embodiment of place. The process of curation as a practice of selection and juxtaposition will be used to explore two sites of research practice that explore artistic practices who used filmmaking as a curation of the pandemic home. Inspired by Pink et al.'s (2016)* position on affective atmosphere, the objective of this session is to review two exemplars, i) from students who identify as practicing artists, and ii) from students who do not identify as practicing artists, as a means of exploring students’ engagement with art practice as a curatorial embodiment of place. The purpose of this study is to examine artistic inquiry as an embodied curation of the mundane and every day of the pandemic. We pose key questions unveiling the interplay between the artistic inquiry, the visual arts, educational research, and accepting educational responsibility during the global pandemic.

Teaching French through Drama in a Minority Language School: A Participatory-Action Research Project in Saskatchewan.
Sara Schroeter, PhD (University of Regina) & Joël Thibeault, PhD (University of Ottawa) This presentation focuses on the use of drama in two French classes in a Francophone school in Saskatchewan, a province where less than 2% of the population speak French (Bonjour Saskatchewan, 2019). Children growing up in an Anglo-dominant society tend to view French as an “artificial language” (Cavanagh & Blain, 2009), one that is not perceived as an authentic mode of meaning making or social interaction. Furthermore, children in minority language schools often develop linguistic insecurities in the language of instruction (Levasseur, 2012; Murray & Vignola, 2018). Teachers working in these schools are tasked with helping students become authentic French speakers. While drama has been found to have a positive impact on students when used as a form of multimodal literacy (Author, 2017, forthcoming; Medina & Campano, 2006; Ntelioglou, 2011; O’Mara, 2004; O’Toole & O’Mara, 2007), its use in language arts classes in Francophone schools has been limited. Drawing on results from a participatory action research project conducted with two Grade 5 teachers, we illustrate how drama was useful for engaging students in reading and analyzing a children’s book, and having them engage in authentic, contextualized conversations in French.

 

CONNECTION 9

Story presentation


Educational Fabulations: Imagining Teaching & Learning for a World Yet to Come. Diane Conrad, PhD & Sean Wiebe, PhD

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Diane Conrad, PhD (University of Alberta) & Sean Wiebe, PhD (University of Prince Edward
Island). What does science fiction have to do with education? It’s about imagining how things could be different. As imagination is the beginning of becoming otherwise, we need to envision a future before we can hope to shape it. Let’s envision together other worlds in which education, teaching and learning are different from how they are now. What might education in these future imaginary worlds be like? For this presentation we offer readings of two of our educational fabulations for a world yet to come. Our stories are based on identifying a problem in educational practice and tracing its trajectory into the future. They are utopian, imagining a better educational future, or dystopian critiquing the current situation to open space for conversations that make way for something better yet to come. As Atwood contends, though the future cannot be predicted, the present “contains the seeds of what might become the future” (2011, p. 61). With the many challenges we face today, imagining how education might address them is paramount. Our stories are serious efforts in writing and thinking our way into the future and we invite readers, educators and students to imagine themselves into a hopeful future with us.

 

CONNECTION 10
Interactive artistic workshop


Embodied reflexivity and Collective Inquiry: Metaphoric Investigations of Ethical Praxis through the 6 Part Story Method. Warren Linds, PhD, Elinor Vettraino, Tejaswinee Jhunjhunwala, MA Student,
Linthuja Nadarajah, MA Student,
& Antonio Starnino, MA Student

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Warren Linds, PhD (Concordia University), Elinor Vettraino (Team Academy), Tejaswinee Jhunjhunwala, MA Student (Concordia University), Linthuja Nadarajah, MA Student (Concordia University), & Antonio Starnino, MA Student (Concordia University) We will explore the Six Part Story Method (6PSM), a reflexive learning process. Originally created in dramatherapy as a diagnostic tool to enable child victims of trauma to be supported, Elinor further developed it in 2017 to support educators to enhance their reflective practice and create new opportunities to develop greater self-awareness. Warren then utilized it in using an inquiry approach in a course on ethical practice in a graduate programme. Tejaswinee, Linthuja and Antonio were students in this program. This has been an appropriate tool to deepen practitioners’ understanding of their approaches to their work as these processes are bound up in the narrative containers for the stories that individuals and groups create and tell. Once shared they become lived experiences for both teller and listener in which new knowing is formed. We will test out this in this in a substantial part of the workshop by working with participants to use the method to explore their own practice as activists, researchers, artists and teachers with a focus on social justice. We will then critically reflect on the methodology as a potential tool for continuously reflection on our roles and processes in engaging in arts-based participatory learning and transformation.

 

CONNECTION 11
Interactive artistic workshop


Borders, Identity, and Pedagogy. Garine Palandjian, PhD Candidate

Engaging our visions of sustainable futures. Emily Diane Sprowls, PhD Student, Paul J. Meighan, PhD
Candidate, & Stephanie Leite,
PhD Student

More information

Borders, Identity, and Pedagogy.
Garine Palandjian, PhD Candidate (Arizona State University) Borders, Identity, and Pedagogy is an interactive exhibition featuring data from my recent fieldwork experiences in Armenia, Azerbaijan, and Turkey. This research aims to analyze the capacity and potential of educators in Armenia, Azerbaijan, and Turkey to contribute to more peaceful relationships, as well as to make clear the constraints of schools in fulfilling this role. The analysis focuses on the ways in which the idea and reality of “the border” - as well as teachers’ memories of the “border” - shape classroom practices, textbook content, and pedagogical theory in post-conflict Armenia. My dissertation aims to shift the current scholarship on the Armenia-Azerbaijani conflict and Armenia-Turkey relations and provide alternative findings through the marginalized voices of teachers and their memories of coexistence and crossing borders. While governments continue to engage in peace negotiations, the opportunity for schools to contribute to conflict resolution and peace promotion remains underutilized. Specifically, I argue that teachers have the potential to act as key change agents in transforming the conflict their distinctive influence both on curriculum and pedagogy, and by creating supportive learning environments in classrooms. This exhibit includes textbook analysis, oral historical interviews with current and retired educators, and ethnographic participant-observation.

Engaging our visions of sustainable futures.
Emily Diane Sprowls, PhD Student (McGill University), Paul J. Meighan, PhD Candidate (McGill University), & Stephanie Leite, PhD Student (McGill University) Imagining a sustainable future conjures different images depending on our own worldviews and identities. This workshop seeks to explore varied perceptions and understandings of sustainability through visual representations and envision a range of possible sustainable futures. We will engage attendees through participatory visual methods to share interpretations about what comes to mind when people in education think about sustainability and to provide participants and facilitators alike with perspectives about how our individual lenses frame our views of sustainable futures. Informed by our own self-study using photoelicitation and photo-voice to envision how sustainability informs our work as doctoral students in education, we pattern this interactive session after our own group process to expand our perspectives, which uncovered our own biases in how we visualize sustainability. Participants will be invited to generate or find visual representations of sustainable futures using simple art supplies or digital tools (e.g. Google Draw), followed by a discussion of our work and positionalities related to sustainability and education. Participation in this workshop will lend insights to how we might incorporate ideas of sustainability in educational contexts, as well as inform future work in engaging fellow educators around our shared concerns. Participants are asked to have art supplies on hand or be willing to make visual images on their devices.

 

12:15 – 12:35 12:35 – 13:00 13:00 – 13:40 13:50 – 14:40
CHILDREN’S BOOK
READING

The Pheasant's Tale or ... was
it its Tail? Candace Amarante,
PhD
Bring your child and enjoy!
Q&A for children.
LUNCH BREAK

CONNECTION 12

Live theatrical performance.

Introducing Research-based
Theatre Onstage and Online.
George Belliveau, PhD,
Simangele Mabena, PhD
Candidate, Chris Cook, PhD
Student, Tetsuro Shigematsu, &
Laen Hershler
Tal Jarus, PhD is the lead on
'Alone in the Ring' and Susan
Cox, PhD for 'Don't Rock the
Boat'

More information

George Belliveau, PhD (University of British Columbia), Simangele Mabena, PhD Candidate (University of British Columbia), Chris Cook, PhD Student (University of British Columbia), Tetsuro Shigematsu (Playwright/Performer), Laen Hershler (Performing Artist) and other members of the University of British Columbia Research-based Theatre Collaborative Research-based Theatre is an innovative research methodology that transforms data into dramatic performances (Belliveau & Lea, 2016). It is a relatively new, inherently collaborative approach, inviting participants to take part in embodied data collection, analysis, and knowledge mobilization activities. The University of British Columbia (UBC) Research-based Theatre Collaborative (rbtcollaborative.ubc.ca) supports the exploration of theatre as a methodology and mode of knowledge mobilization that brings research to life. Our Collaborative will offer an online performance of a recently developed scene that depicts how this arts-based approach can be introduced to those new to the methodology. The 12-minute dramatic scene will be bookended by members of the Collaborative sharing the ways in which this methodology builds and enhances community engagement and research impact by briefly describing two research-based plays: Don’t Rock the Boat and Alone in the Ring. During the discussion, the team will share ways they are committed to addressing issues of equity, diversity, and inclusion, as well as how we adapted these theatre projects amidst COVID-19. Tal Jarus, PhD (University of British Columbia) is the lead on 'Alone in the Ring' and Susan Cox, PhD (University of British Columbia) for 'Don't Rock the Boat' - both pieces were initially performed live but have now been adapted for online purposes due to COVID.

 

CONNECTION 13

Interactive artistic workshop

Story Music and the Future of
Sound Thinking. Kedrick
James, PhD, Esteban Morales,
PhD Student, Rachel Horst,
PhD Student, Yuya Takeda,
PhD Candidate, & Effiam Yung

Interactive roundtable discussion

The ethics of care in
community-engaged research.
Kirsten Sadeghi-Yekta, PhD,
Amanda Claudia Wager, PhD,
& Jeffrey Paul Ansloos, PhD

More information

Story Music and the Future of Sound Thinking.
Kedrick James, PhD (University of British Columbia), Esteban Morales, PhD Student (University of British Columbia), Rachel Horst, PhD Student (University of British Columbia), Yuya Takeda, PhD Candidate (University of British Columbia), & Effiam Yung (University of British Columbia) This will be a live quintet performance of a collaborative future narrative using Singling, a Text-to-MIDI (Musial Instrument Digital Interface) linguistic data sonification software developed by the Digital Literacy Centre at the University of British Columbia. Capable of discrete sounding characters, symbols and punctuation, or word forms in lexicogrammatical categories of English language texts, Singling transforms language into user-determined soundscapes, and can be used live (streaming mode) as well as output MIDI files which will be performed on MIDI instruments to produce a unique composition as collectively compose and perform a short narrative about an imagined future of human interactions with literate technologies. Our narrative will be presented as a performance that engages with the live sounding of words to contribute to the shaping of the narrative and imagined future space. This musical collaboration extends the textual narrative, layered with live audience chat posts, into a dynamic arts-based conversation of subjectivities, sounds, and meanings – a conversation that can serve aesthetic and research specific purposes using arts-based methodologies. First we will introduce Singling, then the narrative context, then co-present a composition that is both futuristic music and post-humanist story in one.

The ethics of care in community-engaged research.
Kirsten Sadeghi-Yekta, PhD (University of Victoria), Amanda Claudia Wager, PhD (Vancouver Island University), & Jeffrey Paul Ansloos, PhD (University of Toronto) A vital aspect of community-engaged research is how to work with communities and participants in the most ethical ways possible. When working, for example, in a performance creation process with relatively inexperienced and socially marginalized communities that are being asked to both tell and stage their stories, all collaborators – including participants as researchers – are challenged in balancing an ethics of care. These challenges are addressed in this interactive roundtable discussion by three interdisciplinary researchers sharing different perspectives of their exploration of ethics within diverse communities. Our works are informed by the critical stances of our practical experiences with Indigenous communities that embrace consensus, “gifting”, and mindful care. Given the rapid growth in recent years of arts-based community-engaged research within Canada and globally, work is needed to cultivate an ethics of care that this is done with respect for and with the participants, communities and that translates to or has impact on changing institutional ethics systems. Such a dialogue must draw on the wisdom of the communities while acknowledging the historicized ethical boundaries involved in doing research with Indigenous communities. We hope to further recognize the need for community-led ethical considerations in arts-based community research.

 

14:50 – 15:30 15:40 – 16:55 17:00 – 17:30  

CONNECTION 14
Re- An exhibition on unity amidst transition. 

The ArtEGs*
Art Collective 

Responding to crises:
Leveraging a global crisis to
disrupt tired paradigms and
invent new ones. Jeff M.
Poulin, MA

The Great Escape: Exploring
synchronicities to uncover
hidden connections. Eric Racette

More information

Re- An exhibition on unity amidst transition.
The ArtEGs* Art Collective (Concordia University) The ArtEGs Art Collective proposes a virtual presentation, a slide show, documenting a gallery exhibition that took place from August 10-17, 2020. The presentation will reflect the process and outcome of that exhibition. As a student-run art collective, we began to work towards an art exhibition to express our commonalities, when our world was hit with a rapid and disconcerting change as the Covid-19 pandemic emerged. Our direction was forever altered, and hence, we have been creating with the knowledge that our identities as Artists, Teachers, and Researchers must adjust. This art exhibit communicates this change and how each of us has had to re-think, re-locate, re-consider, and even become re-inspired as we go forth on our journey.

Responding to crises: Leveraging a global crisis to disrupt tired paradigms and invent new ones.
Jeff M. Poulin, MA (Creative Generation) As the COVID-19 crisis exposed inequities in civic, funding, and programmatic policies – often grounded in systemic oppression and White Supremacy – community based, youth-focused organizations, such as Creative Youth Development (CYD) programs, were catapulted into unplanned changes in order to survive. In this tumultuous environment, organizations had to struggle, innovate, and revolutionize their practices, oftentimes without being able to properly reflect or predict consequences. This paper explores what the pandemic and its unspooling consequences are teaching us about what we need in a framework for thinking about organizational change and adaptation in times of crisis. Specifically, the author discusses how earlier frameworks need to expand to include: distributed leadership, a moral compass, and a growth mindset. The article concludes with a set of provocations derived from community-based conversations with organizational leaders as they innovated their practices in the difficult months of March and April 2020.

 

The Great Escape: Exploring synchronicities to uncover hidden connections.


Eric Racette (Reiki practitioner) As a Reiki practitioner, designer and architect I have explored connections across materials, symbolisms and relationships in order to integrate mindfulness into my practice. This allows to critically and creatively reflect on how connections with spirituality, science and consciousness can expand our human experience. Through virtually sharing a creative allegory, relating our collective journey to an escape room brimming with all of humanity’s knowledge as clues to uncover our inter- connections, I ask such questions as: If omnipotent correspondence can be found across nature and discipline areas, should we consider these connections to be universal teachings? How can we use this hidden knowledge to increase our human experience, create community connections and bring social changes? In adopting a trans-disciplinary approach exploring communication theory, semiotics, literature, physics, biology and religion I explore examples of synchronicities. These connections reveal collaborative opportunities and new perspectives for a deeper assimilation of knowledge through its cross-pollination. If everything is inter-connection as it is suggested by quantum theory, connection is not only all around us, but is also our universal state. Understanding this can help us re-connect with one another, our environment and ultimately our authentic spiritual selves.

 

CONNECTION 15
“Raise Your Hands Only If You Know the Right Answer”
(Forum Theatre Performance). Chetna Mehrotra

More information

Chetna Mehrotra (Theatre of the Oppressed) This performance piece devised on the techniques of Image theatre and Forum theatre by Augusto Boal explores the “pressure of performance/results’ and “pressure of being right all the time in order to be visible/approved” - for a child/ student. These expectations of a child from the systemic structures of Education and Society also cascade into his adulthood wherein there is “pressure of DOING and delivering just the right thing always”— whether professionally, personally or socially. Failure isn’t allowed, and ostracization looms over if failure happens. The performance also explores the “Banking model” of education as defined by Paulo Freire in his writings in “Pedagogy of The Oppressed”, where a teacher teaches and a student listen. Freire speaks about creating an equal dialoguing opportunity between the various stake- holders in a school system- school management, parents, children, teachers. And believes that each is an agency for change. The child is not just a “spectator”, but a “spect-actor”. Re-imaging schools to be a place of true exchange of learning, encouraging critical thinking, and thus becoming spaces of societal transformation.

 

CLOSING
Virtual Exhibit Q&A A talk with the artist: Adriana
Garcia-Cruz.


Next AIRG Symposium
Thank you Message
Ongoing Event
VIRTUAL EXHIBIT
Memory and Oblivion. Adriana Garcia-Cruz

                                         

PRESENTERS’ BIOGRAPHIES


Adrian M. Downey, PhD (Mount Saint Vincent University)
Adrian M. Downey is an Assistant Professor in the Faculty of Education at Mount Saint Vincent University. He is
Mi’kmaq with family ties in the Qalipu Mi’kmaq First Nation. His research interests are in the arts, spirituality,
Indigenous knowledges, anti-racist education, and social justice as expressed in curriculum theory.

Adriana Garcia-Cruz (Diversité Artistique Montréal, DAM)
Growing up in a very modest family in Colombia, Adriana understood very early on that human beauty comes from its
complexity: fragility behind strength, courage behind fear, anguish behind certainty. An immigrant to Canada in 2006,
she refined her photographic technique thanks to the inspiration she found from artists like Irving Penn and Ruven
Afanador and she began her artistic career.
For Adriana, to photograph the human is to access the invisible that hides in each of us. She engages in the depths
of the soul and celebrates the intimate. In 2017, she received the research and creation CALQ* grant for her work
"Memory and Oblivion" where she offers us an intimate vision of objects and their value for connecting different
generations.
* CALQ: Conseil des arts et lettres du Québec

Adrienne Boulton, PhD (Kwantlen Polytechnic University)
Adrienne Boulton is an Instructor in Educational Studies at Kwantlen Polytechnic University. She completed her MA
and PhD in Curriculum Studies from the University of British Columbia. Her research interests include arts-based
forms of educational research, pre-service teacher education, and inquiry.

Alexia Buono, PhD (SUNY at Brockport)
Alexia Buono, PhD is an interdisciplinary dancer, choreographer, scholar and educator. She teaches dance education
courses at SUNY at Brockport. Her research interests include somatic pedagogy, bodily restorative justice, early
childhood education, arts-based research methods, and systemic reform. Somatic dance traditions, such as
Bartenieff Fundamentals and contact improvisation, inform her pedagogy and choreography. She disseminates her
research for an audience of scholars, educators, and dancers through community workshops, peer-reviewed
publications, professional development, dance performances, and performative conference presentations. She has
choreographed and performed with Torn Space Theatre, Anne Burnidge Dance, Center Dance, and Brockport
College.

Amanda Claudia Wager, PhD (Vancouver Island University)
Amanda Claudia Wager, PhD (VIU) is a Tier II Canada Research Chair in Community Research in Arts, Culture &
Education and Professor at Vancouver Island University, BC. As an interdisciplinary scholar, she practices
community-engaged research, pedagogy, and scholarship that encompasses literacies, languages, and the arts with
local youth, families, and communities. Her current youth-led research explores the use of art as a form of language
learning, leadership and advocacy work. Her recent publications include Engaging Youth in Critical Arts Pedagogies
and Creative Research for Social Justice, Art as a Way of Talking and The Reading Turn-Around with Emergent
Bilinguals.

Amélie Lemieux, PhD (Mount Saint Vincent University)
Amélie Lemieux’s research interests include maker education and cross-disciplinary literacies informed by
posthumanist perspectives. A Lieutenant-Governor’s Medal Recipient (Quebec) for academic excellence and
community engagement, she received SSHRC and FRQSC funding for her combined work in makerspace research,
multimodality, arts-informed research and literacies with children, adolescents and teachers.

Anita Hiralaal, PhD (University of KwaZulu-Natal)
Anita Hiralaal is a lecturer in Accounting at the School of Education, Indumiso Campus, Durban University of
Technology. She has a Ph D in Teacher Development Studies from the University of Kwa-Zulu-Natal. Anita has been
involved in teacher education for many years and enjoys teaching Accounting. As part of her doctoral studies, she
adopted an arts-based self-study methodological approach and used many arts-based research approaches in her
study. This prompted her to incorporate the arts into her Accounting Pedagogy teaching with excellent results. Anita
has some novel, exciting and non-conventional ideas to share about the arts in education.

Annika Notér Hooshidar, PlP (University of the Arts, Stockholm)
Annika is Senior Lecturer in Contemporary Dance and Dance interpretation. Her research interest concerns which
bodies and what kind of stories are being shown and told in the area of dance. Who is the dancer/ teacher/
choreographer? In the area of teaching and creating, an expanded concept of choreography can open space for new
ways of knowing and learning.
Annika is currently involved in a 3 year research project that investigates artistic development, power relations and
agency in an interdisciplinary process with artists with different abilities.

Antonio Starnino, MA Student (Concordia University)
Antonio Starnino is a Masters student in the Graduate Program in Human Systems Intervention, Department of
Applied Human Sciences, Concordia University and a Service Designer/Partner with Studio Wé.

Arianna Garcia-Fialdini, PhD Candidate (Concordia University)
Arianna Garcia-Fialdini, PhD Candidate in Art Education, Concordia University. Virtual artist/educator, working
predominantly in paint and print media. Garcia-Fialdini’s research/studio practice concentrates on translating diverse
oral histories of hopes/justice movements into multi-modal images that agitate and inspire.
Working closely with issues raising awareness on social change/gender violence, she explores the conditions of
women, immigrants and refugee claimants while observing and commenting on social realities.
Her teaching and studio practice aims to serve as an alternative platform from which to reach and project
marginalized voices and stories.
Professional webpage: www.garfiart.com

Ashley Do Nascimento, PhD Student, (University of Western Ontario)
Ashley Do Nascimento is a PhD student. ’Her research interests focus on how children/youth understand the
environment in the face of 21st century climate change. Do Nascimento utilises posthumanist and feminist new
materialist frameworks to research with youth, paying particular attention to polluted waters.

Ashwani Kumar, PhD (Mount Saint Vincent University)
Ashwani Kumar is an Associate Professor at Mount Saint Vincent University, where he teaches and conducts
research in fields of curriculum studies, holistic education, and philosophy of education. He is the author of
Curriculum As Meditative Inquiry (2013) and Curriculum in International Contexts: Understanding Colonial,
Ideological, and Neoliberal Influences (2019).

Boyd white, PhD (McGill University)
Initially trained as a painter and printmaker, Boyd’s current research investigates aesthetic engagement as an avenue
to teacher self-identity and social responsibility.

C. H. Gonzalez, PhD (Austin Peay State University)
Dr. C H Gonzalez, PhD., an assistant professor of Teaching and Learning at Austin Peay State University, has
worked with diverse populations of pre-service teachers, public school students, and out-of-school youths for nearly
two decades. He teaches educational methods, pedagogy, and education foundation courses.
He has published research on multimodality, teacher education, and implementing digital video into ELA classrooms.
His current work centers on discovering ways to encourage and support teachers to be culturally relevant and
uncovering ways to develop new culturally sustaining pedagogies. He has been part of over twenty educational
conference presentations.

Candace Amarante, PhD (Author and Playwright)
Candace Amarante is an author and playwright. Her recent works include the play The Ugly Ones (co-written; 2020
Geordie Theatre Fest), and the children’s book The Pheasant’s Tale or ... was it its Tail? (Green Bamboo
Publishing 2017). Candace has a Ph.D. in political science from Columbia University, NY.

Catherine Nadon, PhD (L’Université du Québec en Outaouais)
Catherine Nadon est professeure en didactique des arts visuels à l’Université du Québec en Outaouais. Détentrice
d’un baccalauréat et d’une maitrise en histoire de l’art (UQAM) ainsi que d’un baccalauréat et d’un doctorat en
science en sciences de l’éducation (Université d’Ottawa), ses intérêts de recherche traitent de l’enseignementapprentissage
de l’expérience esthétique, principalement celle de l’art contemporain. Elle s’intéresse également au
paradigme postmoderne en éducation ainsi qu’au rapport de l’artiste contemporain avec les milieux scolaires. Avant
d’oeuvrer comme professeure, elle a enseigné l’histoire de l’art au niveau collégial (Cégep de l’Outaouais, La Cité) et
a été responsable des services éducatifs dans un centre d’art contemporain. Elle a aussi été commissaire pour
quelques expositions, notamment lors de la seconde édition de Orange, l’événement d’art actuel de Saint-Hyacinthe
(2006).

Celeste Snowber, PhD (Simon Fraser University)
Celeste Snowber, PhD is dancer, poet, writer and award-winning educator who is a Professor in the Faculty of
Education at Simon Fraser University. Celeste interweaves multidisciplinary forms in her performances and published
works and attention to embodied ways of inquiry has been central to Snowber’s scholarly and artistic work for over
two decades. She is the author of Embodied inquiry: Writing, living and being through the body as well as two
collections of poetry. She creates site-specific performances of dance and poetry in the natural world and can be
found at www.celestesnowber.com

Chetna Mehrotra (Theatre of the Oppressed)
Chetna Mehrotra | Chetnaa is an Applied Theatre Practitioner, a Drama Based Learning facilitator, a TO (Theatre of
the Oppressed) practitioner, Playback Theatre practitioner, and a Theatre in Education (TIE) practitioner. She has a
vision to take these forms of art-based facilitation to workspaces, open learning spaces, classes and training rooms,
thereby creating a culture of expression, acceptance and love between people.

Chris Cook, PhD Student (University of British Columbia)
Christopher Cook is a therapist, playwright, and theatre creator, and is passionate about using theatre as a
therapeutic, learning, and research tool. Chris’ plays include Quick Bright Things (Persephone Theatre, 2017) and
Voices UP! (UBC Learning Exchange, 2017), a collaborative creation with community members in Vancouver’s
Downtown Eastside. Chris is currently completing a Ph.D. at UBC, focusing on the intersections between mental
health and research-based theatre.


Claudia Mitchell, PhD (McGill University)
Claudia Mitchell is a Distinguished James McGill Professor in the Department of Integrated Studies, Faculty of
Education, McGill University, Canada, and an Honorary Professor in the School of Education, University of KwaZulu-
Natal, South Africa. Her research interests focus on participatory arts-based methodologies, girlhood studies, teacher
identity, and the prevention of gender-based violence with Indigenous girls and young women in South Africa and
Canada, and across various countries in Eastern and Southern Africa, West Africa, and East Asia Pacific.
 

Daisy Pillay, PhD (University of KwaZulu-Natal)
Daisy Pillay (Ph.D., University of KwaZulu-Natal), is an Associate Professor in the School of Education, University of
KwaZulu-Natal. Her teaching, research, and scholarship focus on Self-Reflexive methodologies, Arts-based
research, Teacher’s lives, Teacher Identities, and Teaching and Learning in Higher Education. She co-authored an
edited book (Pithouse-Morgan, Pillay &Mitchell, 2019), titled, Memory Mosaics: Researching Teacher Professional
Learning Through Artful Memory-work. Since 2019, she leads a 3-year Human and Social Dynamics in Development
Research Grant Project titled, Object Inquiry for Social Cohesion in Public Higher Education: Exploring Academic
Identities and Fostering Shared Values Across Diverse Contexts.”
 

Diane Conrad, PhD (University of Alberta)
Diane Conrad is Professor of Drama/Theatre Education at the University of Alberta and a science fiction fan. She has
a BFA in creative writing from UBC as well as a BEd, MEd and PhD in Education. She has worked in educational
contexts as a student or teacher for most of her life. She is author of Athabasca’s Going Unmanned: An ethnodrama
about incarcerated youth (Sense, 2012); co-editor of Creating together: Participatory, community-based and
collaborative arts practices and scholarship across Canada (2015, Wilfred Laurier University Press) and Teachers
and teaching on stage and on screen: Dramatic depictions (2019, Intellect).

Effiam Yung (University of British Columbia)
Effiam Yung is currently employed at the Department of Language & Literacy Education in the Faculty of Education at
UBC, in the role of Web Communications Specialist. He also works closely with the Digital Literacy Centre team on
projects such as Singling and PhoneMe in varying capacity. When not working, he enjoys walking in trails and
thinking of ways to improve Singling.

Elinor Vettraino (Team Academy)
Elinor Vettraino has, since 2019, been the Programme Director and Head Coach of the Team Academy inspired
Business Enterprise Development programmes at Aston University, Birmingham, UK. Her journey to this point has
been organic having spent the last 10 years developing the concepts of team coaching and the use of applied theatre
and storytelling in team learning practice. She considers myself an accidental academic, and a curious traveller in the
world of education.

Elizabeth Yomantas, PhD (Pepperdine University in Malibu, CA)
Elizabeth Yomantas is an Assistant Professor in the Department of Humanities and Teacher Education at Pepperdine
University in Malibu, CA. She teaches courses in the teacher preparation program where she strives to design
learning experiences focused on inclusion, equity, and culturally responsive pedagogy. Elizabeth’s research interests
include allyship, indigenous Fijian education, and culturally responsive experiential education. She enjoys conducting
arts based research, particularly narrative inquiry.

Elsy Zavarce, PhD (University of Zulia)
Elsy Zavarce is a multidisciplinary visual artist, interdisciplinary researcher, and an emeritus professor at the
University of Zulia. Born in Canada, grew up in Venezuela. She has many research publications, and several funded
research, some show her interest in the comprehension of contemporary art other publications demonstrate her
pedagogical approach as a founder of the Graphic Design School of Zulia University. Elsy has a background as a
professor of Architecture and Graphic Design in Venezuela. As a Ph.D. student at Concordia University, she is
interested in researching how communities of practice can help build a sense of belonging, resilience, and
resistance?

Emily Diane Sprowls, PhD Student (McGill University)
Emily is a science educator that loves getting outdoors to facilitate student-driven learning about the environment.
Before starting her PhD in Science Education, she spent 15 years learning alongside youth as an environmental
science teacher in the USA. She currently enjoys coaching teachers in professional learning communities, and she
collaborates with microbiologists at Université de Montréal on citizen science projects. Her doctoral research
examines the impacts of collaborative learning among teachers, scientists, and youth as they engage in
environmental inquiry, with the goal of modeling new ways of learning for youth-led environmental change and
sustainability.

Eric Racette (Reiki Practitioner)
Eric Racette has worked in architecture and design. He has Integrated sacred geometry, spiritual metaphors and holy
semiotics in his furniture collection Eidolon. He is passionate about exploring the relationships existing within human
experience. He now has a Reiki practice (Reiki Rituals) and writes a blog dedicated to connections and spirituality
with a non-dualistic approach.

Esteban Morales, PhD Student (University of British Columbia)
Esteban Morales is a Ph.D. student in the Department of Language and Literacy Education at the University of British
Columbia. He holds a Master’s degree in Educational Technology and Learning Design from Simon Fraser University
and a second MA in Transmedia Communication from EAFIT University, Colombia. His research interests include
critical digital literacies, peace education and social media.

Frans Kruger, PhD (University of the Free State, South Africa)
Frans Kruger, PhD (University of the Free State, South Africa); Frans Kruger is a senior lecturer in philosophy and
policy studies in education at the University of the Free State, South Africa. His research interests include
posthumanist pedagogies, post-qualitative inquiry, African philosophy of education, and ecojustice education.


Garine Palandjian, PhD Candidate (Arizona State University)
Garine Palandjian is a PhD Candidate in Educational Policy and Evaluation at Mary Lou Fulton Teachers College at
Arizona State University. Through a decolonial lens, Garine’s research focuses on redefining education and identities
through post-Soviet and post-socialist Armenian education transformations, and memories of bordering practices and
experiences. Using a critical educational ethnographic approach, her dissertation examines how (re)thinking borders
can help redefine education and identities in more inclusive ways, recognizing the plurality of education visions and
the possible futures that they hold.

George Belliveau, PhD (University of British Columbia)
George Belliveau is Professor of Theatre/Drama Education at the University of British Columbia, Canada. His
research has been published in various arts and theatre education research journals and books. He has written six
books, including his latest co-edited one with Graham Lea, Contact!Unload: Military Veterans, Trauma, and
Research-based Theatre (UBC Press, 2020). He is a professionally trained actor, and has participated in over 100
theatre productions as an actor, director, or playwright.

Inbanathan Naicker, DEd (University of KwaZulu-Natal)
Inbanathan Naicker, DEd, is an Associate Professor in Educational Leadership at the University of KwaZulu-Natal.
He has published a number of journal articles and book chapters; has presented papers at several national and
international conferences and has guest edited several journal special issues. He recently co-edited a special edition
of the Journal of Education titled, Exploring possibilities through methodological inventiveness in self-reflexive
educational research. He has recently completed co-editing a book titled Object Medleys: Interpretive Possibilities for
Educational Research.

Iowyth (ne Cassandra) Witteman, MA Student (Lakehead University)
Iowyth (ne Cassandra) Witteman is a Masters student at Lakehead University with a Bachelor of Fine Arts from
Concordia University in Montreal. Iowyth has over a decade and a half rooted in grassroots activism, community
facilitation, and arts-based practice which they use to inform their current pedagogy. Their research interests lie in
environmental education and outsider educational spaces as well as body-based ways of knowing.

Jeff M. Poulin, MA (Creative Generation)
Jeff M. Poulin is the founder of Creative Generation, working to inspire, connect, and amplify the work of
organizations and individuals committed to cultivating the creative capacities of young people. As a recognized
leader, he previously led a national program, where he advanced local, state, and federal policies supportive of
equitable access to arts learning throughout the U.S. A seasoned educator, Jeff teaches at several universities and
trains 10,000+ people annually around the globe. Jeff is a tap dancer by trade and continues to mentor young
dancers in the U.S. and in the U.K.

Jeffrey Paul Ansloos, PhD (University of Toronto)
Jeffrey Paul Ansloos, PhD, (UofT) C.Psych. is a Tier II Canada Research Chair in Critical Studies in Indigenous
Health and Social Action on Suicide, Assistant Professor of Counseling and Clinical Psychology, and Chair of the
Indigenous Education Network at the Ontario Institute for Studies in Education at the University of Toronto. His
research focuses on social, economic, political, cultural, and environmental dimensions of health, as well examines
community-based and systems-level change processes needed to advance social and health equity, with a particular
focus on Indigenous youth. Jeffrey is the author of the book The Medicine of Peace: Indigenous Youth Resisting
Violence and Decolonizing Healing.

Jennifer Wicks, PhD Candidate (Concordia University)
Jennifer Wicks is a PhD candidate Art Education at Concordia University. Informed and influenced by her multidisciplinary
art and teaching practice, Jennifer uses collaborative and art based methodologies in the realm of post
qualitative inquiry. She is currently exploring curriculum development, the co-construction of knowledge, transnational
collaborations, new materiality, a/r/tography, and the multi-sensory to better understand impacts on learning and
creative development in teachers, students, researchers and artists.

Joanne Murdoch, BA (Concordia University)
My family moved from Frobisher Bay, where I was born, in order to help found a cooperative movement for the
Nunavik communities, fostering financial independence through the promotion and sale of their art. I became an art
teacher and continue to promote the importance of art in society. After having three wonderful children, one of which
has special needs, I shifted my focus and worked as a resource teacher. I use many art forms to help all my students
reach their full potential. I am currently working as a French immersion teacher in an elementary school that
embraces the STEAM approach. Art remains at the foundation of everything I teach.

Joël Thibeault, PhD (University of Ottawa)
Joël Thibeault est professeur régulier à la Faculté d’éducation de l’Université d’Ottawa et professeur auxiliaire à la
Faculté d’éducation de l’Université de Regina. Dans le cadre de sa recherche, il s'intéresse notamment à
l'enseignement et à l'apprentissage de la grammaire en contexte francophone minoritaire, à l'utilisation de la
littérature de jeunesse dans l'enseignement des conventions linguistiques et à la didactique intégrée du français et de
l'anglais.

Kathleen Pithouse-Morgan, PhD (University of KwaZulu-Natal)
Kathleen Pithouse-Morgan is a Professor of Education. Her scholarship is in the field of professional learning, with a
specific focus on better understanding and supporting teachers as self-directed and self-developing learners.
Through the self-reflexive methodologies of self-study research, narrative inquiry, and autoethnography, her work
documents and theorises how teachers can gain vital insights into their professional selves and practices – with
critical implications for personal-professional growth and social transformation. Using arts-based, bricolage, dialogic,
memory-work, and transdisciplinary approaches, Kathleen collaborates across contexts and continents to enact and
document methodological inventiveness in professional learning research.

Kathryn Ricketts, PhD (University of Regina)
Kathryn Ricketts, PhD is an Associate Professor and Chair of Dance, University of Regina as well as the Director of
Professional Development and Field Experience in the Faculty of Education. She is also the co president of the
Canadian Association For 40 years Ricketts has been researching and practicing dance and visual arts and has
articulated the methodology Embodied Poetic Narrative. Her work is focused on developing ‘voice’ through
performance with vulnerable populations using artifacts and personal narratives. She runs The Listening Lab, a visual
and performing arts ‘incubator’ and presents exhibitions and performances in her loft in the John Deere Tractor
Building

Kedrick James, PhD (University of British Columbia)
Kedrick James is Director of the Digital Literacy Centre, Associate Professor of Teaching, and Deputy Head of the
Department of Language and Literacy Education at UBC. Current research projects include Singling, for text
sonification, and PhoneMe, a website www.phonemeproject.com and mobile app for creating and experiencing usergenerated
place-based poetry and spoken word. As a poet, he ponders voice in the void between nature and noise.
As a recording artist, his recent releases can be found at kedrickjames.bandcamp.com. As a scholar, his work also
has a virtual background.

Kirsten Sadeghi-Yekta, PhD (University of Victoria)
Kirsten Sadeghi-Yekta (PhD, University of Manchester). Currently, she is working on her SSHRC Partnership
Development Grant and Insight Development Grant on Coast Salish language revitalization through theatre. Her
theatre facilitation includes working with children in the Downtown Eastside in Vancouver, young people in Brazilian
favelas, women in rural areas of Cambodia, adolescents in Nicaragua, and students with special needs in The
Netherlands. Kirsten is an assistant professor at the University of Victoria, BC.

Laen Hershler (Performing Artist)
Laen Hershler is a performing artist and expert facilitator of creative processes across professional, artistic and
academic contexts. He has vast experience working with teachers, researchers, artists, and business people using
theatre for both social impact and personal development. Since 2011, he has been a reoccurring sessional instructor
at the Creative Studies Faculty at UBC (Kelowna) and the Education Faculty at UBC (Vancouver). Most recently,
Laen has devoted considerable time to creative practice and evaluation in the field of Research-based Theatre.

Leila Refahi, MA (Concordia University)
Leila Refahi, Master(Concordia university); Refahi works with painting, installation and digital media to create
participatory art experiences. Her work focuses on environmental issues and endangered animals. Refahi graduated
from the Art and Architecture University of Tehran in 2010 with Master's degrees in painting. In 2011, she was invited
to teach at the same university.
Refahi has presented five solo exhibitions and participated in more than 60 national and international group
exhibitions. Refahi has studied socially engaged art and its impact on raising awareness about environmental issues.
The interactions formed between participants, the artist, and artwork is the most significant part of her practice.

Linda Handiak (Vanguard School)
Linda Handiak teaches ELA, History and Contemporary World at Vanguard School. She stays current by attending
conferences and participating in research projects. In 2013, Ms. Handiak was part of an LCEEQ pilot project
implementing differentiated instruction through Layered Curriculum. In 2016, she participated in The Art Gallery of
Ontario’s summer institute, where attendees met indigenous artists and curators and developed related instructional
material together. Last year, she and her senior students presented at a UNICEF sponsored conference on the topic
of child-friendly cities. Her research interests include differentiation, Indigenous Studies, Environmental Education
and Literacy across the curriculum.

Linthuja Nadarajah, MA Student (Concordia University)
Linthuja Nadarajah is a Masters student in the Graduate Program in Human Systems Intervention, Department of
Applied Human Sciences, Concordia University and Assistant Prospect Researcher in University Advancement at
Concordia University.

Lungile Masinga, PhD (University of KwaZulu-Natal)
Lungile Masinga, PhD is a Senior lecturer in Curriculum and Education Studies and has also worked in the Gender
and Education discipline at the University of KwaZulu-Natal (UKZN) in South Africa. Her academic work focuses on
gender and sexuality education. Methodologically, her work has contributed to scholarship on collaborative memorywork,
oral storytelling with teachers and Self-study research enquiry. She is also a member of the Self-Reflexive Methodologies Special Interest Group of the South African Educational Research Association.

Marguerite Müller, PhD (University of the Free State, South Africa)
Marguerite Müller, PhD (University of the Free State, South Africa); Marguerite Müller is a senior lecturer in the
School of Education Studies, Faculty of Education at the University of the Free State. She holds a BA in Fine Arts,
PGCE, Masters of Education, and PhD in Higher Education studies. From 2006 to 2011, she worked as a teacher
and lecturer in South Korea. At present, she teaches within the discipline of Curriculum Studies with a specific focus
on socially just and anti-oppressive pedagogies. In her research, she employs arts-based methodologies to explore
issues of educator identity and subjectivity in the higher education space.

Maria Ezcurra, PhD (Artist and Art Facilitator)
Maria Ezcurra (MFA, PhD) has participated in numerous exhibits worldwide and worked as an artist-in-residence and
course lecturer in the Faculty of Education at McGill, also facilitating the McGill Art Hive and other community
initiatives. Her research involves participatory art practices; dress and the social construction of gender; and,
migration.

María Verónica Machado Penso, PhD (Universidad de la Costa)
Maria Veronica Machado is an Architect and Ph.D. in Architecture from the Universidad del Zulia with a Master’s
degree in Advanced Technologies for Architectural Construction from the Universidad Politécnica de Madrid.
Currently, She is a professor and researcher at the Universidad de la Costa, teaches at the Doctoral Program in
Architecture at the Universidad del Zulia, and participates as Coordinator for the Biennial of Architecture of
Maracaibo. Machado writes scientific articles for journals. She has been a guest speaker for international events at
the IBERO University and the UPC. During 2017, she attended a residency in arts at the Casa Vecina headquarters
of the Mexico City Historical Center Foundation. She has received several awards such as the Silver Medal at the
Miami Architecture Biennale in 2001 and the mention of honor at the Maracaibo Art Biennial in 2011.

Mariam Ugarte, MA (Concordia University)
Trilingual, graduated from nursing school in 1989. As an obstetrical nurse for 12 years, I loved helping women give
birth. After obtaining a Bachelors’ in Education in 2006, I began teaching Nursing at a vocational school. I received a
Masters in Human Systems Intervention in 2017 from Concordia University after which I facilitated various workshops
in rural hospitals for a Spanish foundation - RDT(Rural Development Trust) in India, where I used arts-based
methods to motivate, empower and provide an experiential learning opportunity for participants, my latest workshop
was to share the WHO guidelines on Humanizing Labour and delivery this Nov-Dec 2019.

Maryam Bagheri Nesami, MA (University of Auckland)
Maryam holds a B.A. in Cultural and Artistic Management (2007, Tehran) and M.A. in Art Studies (Comparative
Mythology, 2010, Tehran). She is an independent performance artist based in Auckland who is developing a artistic
doctoral research about ‘politics and poetics of solo performance’ at the University of Auckland. Coming from the
underground dance community in Iran, and performing and living as an undisciplined Middle Eastern dancer outside
Iran, Maryam has been questioning the conventional frames, homogenizing gazes, categorizations and reductionist
definitions and these contextualize her practice(s) of freedom. Her creative practice and research focus on inclusion,
non-violent resistance, strategic negotiations, and micro-politics.

Mindy R. Carter, PhD (McGill University)
Mindy R. Carter, PhD is an Associate Professor in the Department of Integrated Studies in Education at McGill
University, Canada. Her research focuses on teacher identity, and on using the arts to foster culturally responsible
and socially just pedagogies. Carter’s “CREATE: Creativity Research in Education using Artful inquiry for
societal Transformation and intercultural Exchange” research program has received Fonds de recherche du
Quebec (2015–2018) and Social Sciences and Humanities Research Council funding (2017–2020). She is currently
the Vice-President of the Canadian Society for the Study of Education's Curriculum Studies special interest group and
the Chair of the Artful Inquiry Research Group (AIRG) at McGill (2020).

Mitchell McLarnon, PhD Candidate (McGill University)
Mitchell McLarnon is a PhD candidate, gardener, beekeeper and lecturer at McGill University. His teaching and
research interests include social and environmental justice, homelessness, institutional ethnography, participatory
visual methodologies, garden-based learning and environmental education.
Natalie LeBlanc, PhD (University of Victoria)
Natalie LeBlanc is an Assistant Teaching Professor at the University of Victoria. She is a visual artist and art educator
whose research examines how conceptual art practices inform artistic and arts-based research methodologies.

Neydalid Molero, DEA (University of Zulia)
Neydalid Molero is an Associate Professor at the Experimental Art Faculty of the University of Zulia. She was a
professor at the Cecilio Acosta University, the Julio Arraga National School of Art, and the Carlos Parra Bernal State
School of Art. She is a plastic artist, active since 1983. Her creative research is developed by integrating
interdisciplinary experiences. She is a researcher in Art Theory and has published the book "Identidades Corporales
Alternativas: Perspectivas de la autorrepresentación en el Arte contemporáneo", in the research collection of
Universidad Cecilio Acosta. She has also published several refereed articles in her area. She has extensive
experience in contemporary museography montage equipment. she forms a curatorial team with Elsy Zavarce and
María Verónica Machado, carrying out the exhibition "Cuerpo en Cuestión" in 2018 at the Museo de Arte
Contemporáneo del Zulia (Venezuela) and in 2020, they develop the project Cuerpos Confinados (endorsed by the
MACZUL of Venezuela and the Universidad de la Costa, of Colombia).

Paul J. Meighan, PhD Candidate (McGill University)
Paul is a Gàidheal (Scottish Gael) from Glasgow, Scotland and a PhD candidate in Educational Studies at the
Department of Integrated Studies in Education, McGill University. Paul has an extensive background in translating
and teaching languages (English as a Second Language and for Academic Purposes, Italian, Spanish and French)
internationally since 2001. These experiences have granted him the opportunity to learn several languages and
experience diverse ways of knowing, being, teaching, and learning. Paul’s community-led, SSHRC-funded research
will aim to explore the connections between Indigenous language revitalization, place-based, Traditional Ecological
Knowledge (TEK) and decolonizing technology.

Paul Zanazanian, PhD (McGill University)
Dr. Paul Zanazanian is an Associate Professor in the Department of Integrated Studies in Education at McGill
University, Canada. His research explores the workings of historical consciousness in the development of individual
and We-subject identities, with a focus on formal and informal school settings. His work examines practitioners’
historical sense-making and its impact on their self-awareness and agency, informing their social posture/
positionalites in their roles as teachers and community educators.

Rachel Horst, PhD Student (University of British Columbia)
Rachel Horst is a SSHRC-funded PhD student interested in exploring narrative inquiry as a methodology for
engaging with future potentiality. She is interested in digital literacy, makerspace technologies, computational
thinking, and post humanist epistemologies. She writes fiction, poetry, and creates digital and analogue media of all
kinds.

Sara Hashem, PhD (McGill University)
Sara Hashem, PhD is the co-founder of the Artful Inquiry Research Group (AIRG) at McGill University. She is an
educator and a culture management specialist with more than 17 years of international experience in educational
program development and museum management. Sara lectures at McGill University and is in charge of the
development of the McGill Art Hive. Academically, her work is grounded in arts-based educational research methods,
museum studies, teacher education, technology in education, curriculum studies, arts education, and arts leadership.
Sara is also a trained visual artist who dabbles with drawing, painting, and photography.

Sara Schroeter, PhD (University of Regina)
Sara is an Assistant Professor (Drama Education) in the Faculty of Education at the University of Regina, where she
teaches drama, arts, and anti-racist education classes in French and English. For twenty years, she has worked as
an informal educator with community and non-governmental organizations and as a drama facilitator in schools
across Canada. Her research focuses on using drama, a multimodal literacy, to examine differences of race, class,
gender, and sexuality in multiracial schools. Her work exploring youth counternarratives and the complexities of
enacting social justice pedagogies in light of colonial experiences and racilization has been published in Race,
Ethnicity and Education, The Journal of Adolescent and Adult Literacy, the Canadian Journal of Education, and
Social Justice.

Sean Wiebe, PhD (University of Prince Edward Island)
Sean Wiebe is a Professor of Education at the University of Prince Edward Island. He has been the principal
investigator on four Canadian Social Sciences and Humanities Research Council funded projects exploring the
intersections of creativity, the creative economy, language and literacies, and arts informed inquiries. His current
grant, based on findings generated from multiple sites across Canada, investigates how establishing a creative ethos
in schools might support teachers as contributors to Canada’s creative economy.

Simangele Mabena, PhD Candidate (University of British Columbia)
Simangele Mabena is interested in the intersection of Research-based Theatre and Deaf Studies, particularly in
exploring the pedagogical practices between Deaf and hearing teachers in Deaf education. Simangele aims to use
RbT as a form of inquiry to ultimately benefit key stakeholders in inclusive education with disabled teachers and
students. Through her involvement in the RBT Collaborative, she has undertaken the roles of performer-researcher,
facilitator and graduate research assistant. Simangele is currently a PhD candidate exploring the teaching practices
of D/deaf and hearing teachers in teaching emergent South African Sign Language literacy.

Stacey Cann, PhD Student (Concordia University)
Stacey Cann is an artist and researcher from Montreal, Canada. She is a PhD student in Art Education at Concordia
University. Cann has exhibited her work at the Art in Odd Places Festival in New York City,New York, The Works Art
and Design Festival in Edmonton, Alberta, and The Ministry of Casual Living in Victoria, British Columbia among
others. Her work involves durational elements whose mundane nature borders on the absurd, and she is interested in
how we present ourselves in the commonplace of our daily life.

Stefania Hernández, M.DES (Concordia University)
Stefania Hernández completed studies in architecture at Universidad del Zulia in 2016. In her B.Arch thesis, she
explored how the poetics of an architectural project could turn a forgotten coastal park into an urban rhizome, as a
way to engage the community with nature. She is keen on the idea of design as a catalyst for social integration, using
art and architecture as a way to transform issues into positive experiences, through the performed action moreover
than the outcome. This theme led her to further research in the Master of Design Program at Concordia University.
Her work is directed in the lines of approaching design in an interdisciplinary way, integrating art, poetics, and
architecture, always exploring the meaning of belonging and enhancing the positive and important qualities of the
built environment, and its intersection with nature and community.

Stephanie Leite, PhD Student (McGill University)
Stephanie is an educator, curriculum designer, and PhD student at the Department of Integrated Studies in Education
at McGill University. Before beginning her doctoral studies, she served as Director of Curriculum at Global Citizenship
Experience Lab School in Chicago, USA, where she helped develop a library of over 30 interdisciplinary, projectbased
courses. Her research focuses on the intersection of education for global citizenship, sustainable development,
and climate change. She is particularly interested in how the UN Sustainable Development Goals (SDGs) can be
used to help define 21st-century learning.

Tejaswinee Jhunjhunwala, MA Student (Concordia University)
Tejaswinee Jhunjhunwala is a Masters student in the Graduate Program in Human Systems Intervention, Department
of Applied Human Sciences, Concordia University and an Associate at Reos Partners, Montreal, Quebec.

Tetsuro Shigematsu (Playwright/Performer)
Tetsuro Shigematsu is a playwright/performer. A former writer for This Hour Has 22 Minutes, in 2004, he became the
first person-of-colour to host a daily national radio program in Canada, where he wrote and produced over 50 pieces
of radio drama. His solo-work, Empire of the Son, has played in 18 cities to over 20,000 people, and was described
by Colin Thomas as, “one of the best shows ever to come out of Vancouver. Ever.” 1 Hour Photo, was a finalist for
the 2019 Governor General's Award for Drama.

The ArtEGs* Art Collective (Concordia University)
The ArtEGs* Art Collective is a group of Artists, Teachers, and Researchers from Concordia University who come
together to share and create. The Collective aims to link art, education and research with various initiatives including
art exhibitions, talks/presentations, film screenings, publications, and more.
*Art Education Graduate Student Association, Concordia University
The Collective’s participating artists: Fatima Abbasi, Becky Cao, Zoe Compton, Shaghayegh Darabi, Nancy Long,
Denise A. Olivares, Leila Refahi, Shannon Roy, Lucine Serhan, Cristine Vista, Elsy Zavarce. (Please note: Éva Roy
and Sara Hanley are additional members of the Collective but at the time could not take part in this particular
exhibition.)

Theresa Chisanga, PhD (York University)
Theresa Chisanga: PhD (York University), is an Associate Professor of English Language at Walter Sisulu University
in the Eastern Cape in South Africa. She has been actively involved in transformative educational studies research
and is currently working with objects, in collaboration with a group of colleagues, researching social cohesion in
higher education institutions in the country.

Tone Pernille Østern, PhD (NTNU Norwegian University of Science and Technology)
Tone holds a Doctor of Arts in Dance from the Theatre Academy, University of the Arts Helsinki, and works a
Professor in Arts Education with a focus on Dance at NTNU Norwegian University of Science and Technology. She
also holds a position as Visiting Professor in Dance Education in Contemporary Contexts at Stockholm University of
the Arts. She is active as Artist/Researcher/Teacher, with a special interest in socially engaged (dance) art, dance in
dialogue with contemporary contexts, choreographic processeses, performative research and bodily learning.

Valérie Yobé, PhD (L’Université du Québec en Outaouais)
Valérie Yobé est professeure agrégée en design graphique à l’École multidisciplinaire de l’image (ÉMI) de l’Université
du Québec en Outaouais, où elle enseigne depuis 2001. Elle est Certified Registered Graphic Designer de la RGD –
Association of Registered Graphic Designers—Canada. En 2014, elle crée l’organisme à but non lucratif la tribu
grafik. Par des activités de commissariats, de collaborations au national et internationale, la tribu conceptualise et
produit des projets de recherche-création avec pour objectif de questionner les usages du design, décompartimenter
les pratiques, innover socialement et culturellement. En 2017, elle obtient une subvention du Fonds de recherche du
Québec – Société et culture (FRQSC), soutien à la recherche-création, pour le projet : « Graphisme citoyen :
pratiques artistiques et construction du lien social au sein de l'école primaire ». En 2009, il reçoit un prix au concours
international The So(cial) Good Design Awards 2020 de la RGD.

Warren Linds, PhD (Concordia University)
Warren Linds is Associate Professor, Applied Human Sciences, Concordia University, Montreal, Canada and
Graduate Program Director of the Masters in Human Systems Intervnetion. His research uses applied theatre to
address social justice issues. He was Co-Principal Investigator in the research intervention project Acting Out! But in
a Good Way, which linked well-being and the arts with Indigenous youth in Saskatchewan, Canada and is a coinvestigator
and member of a research network focusing on arts-based practice with war affected youth in Montreal.

Yuya Takeda, PhD Candidate (University of British Columbia)
Yuya Takeda is a PhD Candidate at the Department of Language and Literacy Education at University of British
Columbia. In his dissertation, Yuya studies conspiracy theories through philosophical and discourse analytic
approaches and speculates on how critical media literacy education can respond to them. He posits that rationalistic
debunking is not an effective way to teach conspiracy theories. Instead, he takes existentialist and critical pragmatist
stances and locates conspiracy theories in relation to cults and counter-culture movements. Yuya is also an
experimental street photographer. Please visit yuyapecotakeda.com for more information about his work.

 

 

 

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