Pianist and composer and former Schulich student Theo Abellard joins the lineup of exciting performers at the 2021 Festival International de Jazz de Montreal. An outstanding pianist and exceptional performer known for his virtuosity and profound artistic voice, Abellard is a musician to watch. Having studied and performed throughout the city, he counts fellow Montrealers Oscar Peterson and Paul Bley among his influences. Playing the Rio Tinto outdoor stage with Tyson Jackson on drums, and wife Marie-Ketely Abellard on bass, the Theo Abellard Trio will transport you with their singular sound.
We checked in with Theo as he prepares for the upcoming show. Read on to find out the role that Montreal plays in his art, what he wants his audiences to leave his concerts feeling, and his advice for those on their own musical journey.
What is “making music” to you?
Making music is being in the moment and responding to what’s going on around and within you.
What are some elements that are important to your music creating/playing philosophy?
The most important element of music to me is spirituality and connection to the divine. Bach said that the aim and final end of all music should be none other than the glory of God and the refreshment of the soul.
You’re a Montrealer, born and raised. How has this city and its musicians shaped who you are as an artist?
I grew up in Park Extension, which is one of the most ethnically diverse neighbourhoods in North America, so that definitely impacted my outlook on life and ultimately on music. Traditional Indian music is deeply ingrained in my subconscious just from being exposed to it. A lot of Montreal natives hail from immigrant parents so most of us speak at least three languages: French, English and the language of our parents. That really broadens our vision of the world we live in. I personally speak four languages.
Do you have any advice for those beginning their journey, or continuing on their musical path at Schulich?
What I would say is focus on knowledge and take control of your own development. Teachers are there to suggest things to you based on their own experiences and opinions, but ultimately you know what is best for you — so connect with that.
What are the themes that inspire you most in your music? Have they changed over time?
One of the most important themes of my music is blackness. We need to reconsider the word “Jazz.” The inventors of this music never called it that way. We have no problem calling traditional Indian music for what it is. But for some reason when it comes to blackness it always gets awkward.
What would you like the audience to walk away with after hearing your music?
A sense of healing and peace.
Can you describe your compositional and/or playing style in one sentence for us?
I can in one word. Worship.
You are a multi-hyphenate artist — pianist, composer, arranger, band leader, and producer — is there a favourite on the list or are they complementary? How have you been able to add to the list in such a short time?
I think my generation is the generation that can do that. We have access to so much information thanks to the internet. I think it’s important to be as self-sufficient as possible but also to recognize our strengths. For me it’s the piano and composition.
Is there a song you could listen to on repeat for an entire weekend?
Any song by my wife.
Is there a tune you would be happy to play every concert?
Any tune by my wife.
Theo Abellard Trio
September 16, 2021, 5:15 p.m.
Free - Reservation required
Theo Abellard, piano @theoabellard
Marie-Ketely Abellard, bass @mkabellard
Tyson Jackson, drums @tdiorjackson
To register and for more details about Theo Abellard’s Montreal Jazz Fest Performance
En Casa: Theo Abellard “P & W” (T. Abellard)
blackface\battlefield - Theo Abellard
I Want To Talk About You - Mike Bruzzese and Theo Abellard
Apt. 6 MTL - Mic the Ledge Theo Abellard and Marie-Ketely Gomes
